Blackmagic HyperDeck Studio 4K Pro
This extremely powerful Ultra HD model records and plays H.264/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.
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For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies!
SDI Video Inputs1
SDI Video Outputs2
SDI Monitor Outputs1
SDI Rates270Mb, 1.5G, 3G, 6G, 12G.
HDMI 2.0 Video Inputs1
HDMI 2.0 Video Outputs1
Built in SpeakerMono
Audio Output1 x 6.35 mm headphone jack.
Screen2.2 inch LCD.
Timecode Connections1 x XLR In, 1 x XLR Out.
Reference Connections1 x BNC In, 1 x BNC Out. Tri-Sync or Black Burst.
SDI Audio Inputs16 channels embedded audio.
SDI Audio Outputs16 channels embedded audio.
HDMI Audio Inputs8 channels embedded audio.
HDMI Audio Outputs8 channels embedded audio.
Remote Control1 x RS-422 In, 1 x RS-422 Out.
Recorder ConfigurationVia user interface or Blackmagic HyperDeck Ethernet Protocol.
Computer Interface1 x USB Type-C 3.1 Gen 2 (up to 10Gb/s) for external drive recording, webcam out, software configuration and updates.
SD Video Standards525i59.94 NTSC, 625i50 PAL
HD Video Standards720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
2K DCI Video Standards2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI
Ultra HD Video Standards2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4K DCI Video Standards4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
SDI ComplianceSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1, SMPTE 2082‑10, SMPTE 2084 and SMPTE 2108‑1.
SDI Metadata SupportHD RP188 and closed captioning CEA‑708. HDR Metadata supported on SDI.
Supported HDMI Formats525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60, 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
Audio SamplingTelevision standard 24‑bit, 48 kHz sample rate.
Video Sampling4:2:2 YUV
Color SpaceREC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied to SDI monitor out.
HDR SupportHybrid Log‑Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084.
Multi Rate SupportAuto detection of SD, HD, 6G‑SDI and 12G‑SDI.
Copy ProtectionHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Media2 x 2.5 inch disc slots 2 x SD card slots 1 x USB‑C 3.1 Gen 2 expansion port for external recording of SD, HD, 2K DCI, Ultra HD and 4K DCI.
Media TypeSATA-II or SATA-III 2.5 inch solid state media. UHS-I and UHS-II SD cards.
Media FormatCan format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Built in Control Panel16 buttons for transport and device control with search dial featuring electronic clutch and 2.2 inch color display.
External ControlRS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. Supports remote FTP file upload.
Software IncludedBlackmagic OS Blackmagic HyperDeck Setup Internal Software UpgradeLoaded at system start, or via Blackmagic HyperDeck Setup using USB port.
Power Supply2 x Internal 100 - 240V AC 50/60Hz. 1 x 4 pin XLR 12V DC In for external power supplyor battery use.
Power Usage100 W max.
Optional AccessoriesHyperDeck Extreme Control
Operating Temperature0° to 40° C (32°to 104° F)
Storage Temperature-20° to 60° C (-4° to 140° F)
Relative Humidity0% to 90% non‑condensing
|Settings||Blackmagic HyperDeck Studio 4K Pro remove||MOG mPLAY Densu io - Compact Deck Appliance remove||AJA Ki Pro Rack File Based 1RU Recorder and Player remove||MOG mCODER Grand s - Media Transcoding Appliance remove||Blackmagic HyperDeck Extreme Control remove||Blackmagic HyperDeck Extreme 4K HDR remove|
|Name||Blackmagic HyperDeck Studio 4K Pro remove||MOG mPLAY Densu io - Compact Deck Appliance remove||AJA Ki Pro Rack File Based 1RU Recorder and Player remove||MOG mCODER Grand s - Media Transcoding Appliance remove||Blackmagic HyperDeck Extreme Control remove||Blackmagic HyperDeck Extreme 4K HDR remove|
|Availability||In Stock||In Stock||In Stock||In Stock||In Stock||In Stock|
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|Description||This extremely powerful Ultra HD model records and plays H.264/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.||Compact dual-node file playout appliance of up to 4 combined media operations per node||HD/SD Recorder and PlayerRecord and playback Apple ProRes or Avid DNxHD filesSDI, HDMI, and Component Video I/OAES (BNC) and analog (XLR) audio I/O2x KiStor media bays with Ki ProtectBalanced XLR analog audio inputs, mic/line/48v switchableMulti-channel embedded SDI and HDMI audioUp, down, cross-conversion built-inREF, LTC, RP-188 and RS-422 supportREST interfaceFront panel button controlsEasy to use web UI, configure and control from standard web browsersCompact 1RU designThree year warranty||File ingest appliance of up to 8 combined media operations||HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.||Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analog video.|
|Content||For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies!|
mPLAY Densu io is an outstanding IP/SDI monitoring and playout dual-node compact appliance that simultaneously supports playing all kinds of media files in SD/HD/FHD. It provides you with an agnostic real-time playback system to ensure a straightforward quality control process and allows the user to playback and review a wide range of file-based content with broadcast quality across all platforms and channels. It supports up to 4 simultaneous media operations per node that can be a combination of up to 8 playout operations and previewing of 1 file. mPLAY Densu io has a redundant power supply with options for 6 or 12TB of storage.
Transition to File Based Workflows
For video facilities transitioning from tape to file based workflows for recording and playback, Ki Pro Rack offers high quality, 'ready-to-edit' file capture, designed to get material from source to editorial as quickly as possible. With a wealth of professional connections, Ki Pro Rack will fit right into your existing cabling and routing system and record 10-bit Apple ProRes and Avid DNxHD files direct to removable hard disk or SSD Storage Modules, eliminating the need for time-consuming logging and capturing. The files can be used in most editing systems without the need for additional transcoding or importing processes.
Unify Formats -Speed Workflows
AJA's high quality up, down, cross-conversion makes it easy to unify SD, 720p, and 1080i and create a single desired format for your project. The multitude of video and audio connections such as SDI, HDMI and analog make integrating Ki Pro Rack with other production equipment easy.
RS-422 control allows Ki Pro Rack to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Rack. Ki Pro Rack’s RS-422 control can also be used to link a traditional VTR with Ki Pro Rack for direct editing control. Use the editing controls on properly equipped VTRs to control Ki Pro Rack for machine to machine transfer of video and audio. This allows tape footage to be captured directly as files on Ki Pro Rack without the need for a separate edit controller.
10-bit, Full Raster Recording
Big on quality - but not on file size. Recording 10-bit, full raster files, Ki Pro Rack gives you high quality images that easily stand up to post processing requirements - and client scrutiny. Compared to 8-bit recording devices, 10-bit 4:2:2 recording (when supported by the codec) provides better quantization, giving a superior representation of the original scene and allowing for more flexibility in postproduction when adjusting color and balance. By utilizing efficient ProRes and DNxHD codecs, file sizes are kept in check so you won't need to blow your production budget on extra storage.
Reliable Storage Media
Ki Pro Rack captures directly to reliable AJA KiStor media. KiStor media are available as HDDs or SSDs in a variety of capacities to best suit the demands of your production environment. KiStor modules also feature built-in USB 3.0 connectivity for direct connection to your editing system using standard interfaces. Utilizing the rollover recording capability with the dual media drive bays, recording can start on one media module and seamlessly continue onto the second module once the first has reached capacity. This makes Ki Pro Rack ideal for long form recording needs while maintaining incredibly image high quality.
Familiar Controlsand Operation
Anyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Rack. Just like a traditional tape deck, Ki Pro Rack features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time. The current status of the system and key configuration information is clearly displayed on the built-in screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back. The Ki Pro Rack operating system offers users a flat menu structure that is easy to navigate with menu parameters presented in clear and understandable language.
The video and audio connections on the rear panel of the Ki Pro Rack offer the same standard connectors found on traditional tape decks, allowing Ki Pro Rack to integrate easily with your current cabling and routing. The rear connections include SDI, HDMI, component analog, AES and analog XLR balanced audio, LTC, RS-422 and LAN.
Ethernet File Transfer
Utilizing the LAN network functionality, media can be copied to and from the Ki Pro Rack over the Ethernet connection. This allows for fast file transfers without the need to physically remove the media from the Ki Pro Rack, which can be especially useful in larger facilities and cuts down dramatically on the number of people that have to enter the machine room, minimizing the risk of unintentional interference with equipment.
Remote Configuration and Operation
In a truck or a machine room, Ki Pro Rack is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Rack parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer. Multiple Ki Pro Rack units can even be controlled from a single web interface making Ki Pro Rack an ideal solution for multi-camera recordings.
AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.
Industry Leading Support
AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue, will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.
Ki Pro Rack lets you record edit-friendly HD ProRes files directly to removable KiStor Media. Once removed from the Ki Pro Rack, the KiStor can be inserted in the AJA KiStor Dock which connects directly to your computer via Thunderbolt™ or USB3, allowing you to rapidly transfer ProRes files that are ready for use immediately in your non-linear editing system.
KiStor Storage Modules use thoroughly tested media and are backed by a 1-year warranty. KiStor Storage Modules are also engineered with the rigors of production use in mind; not only are robust housings used for the media, but connectors rated for multiple insertions and removals are used, unlike bare HDD or SSD connectors that are not engineered for repeated use. Additionally, KiStor modules can be formatted in the device making it a true stand alone recorder; connecting the media to a host computer to format media is not necessary.
mCODER Grand s is a professional multi-channel, multi-format, and real-time transcode appliance. Automatically transcode assets to internal house formats for a wide variety of media workflows. mCODER Grand s supports up to 8 simultaneous media operations that can be a combination of transcoding up to 8 files and up to 2 previewing operations.
|HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.||HyperDeck Extreme 4K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings.|
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