Blackmagic HyperDeck Studio HD Plus

Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProResand DNxHD to 2160p30.

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Description

HyperDeck Studio HD Plus includes all the features of the Mini model, but is larger so it has more space for extra controls and extra connections. This model adds 6G-SDI so it can record and playback ProRes up to Ultra HD 30fps, and it includes an SDI loop out and HDR support. Plus the two 6G-SDI outputs allow fill and key playback up to 1080p60. There is also an HDMI input and a dedicated 3G-SDI monitoring output with overlays. Any button pushed on the front panel is sent to a dedicated RS-422 remote output and the DC power is now a broadcast style XLR connector. The front panel is also upgraded with better transport control buttons, a headphone socket and built in speaker.

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Connections

SDI Video Inputs

1

SDI Video Outputs

2

SDI Monitor Outputs

1

SDI Rates

270Mb, 1.5G, 3G, 6G.

HDMI 2.0 Video Inputs

1

HDMI 2.0 Video Outputs

1

Built in Speaker

Mono

Audio Output

1 x 6.35 mm headphone jack.

Screen

2.2 inch LCD.

Timecode Connections

1 x BNC In, 1 x BNC Out.

Reference Connections

1 x BNC In, 1 x BNC Out. Tri-Sync or Black Burst.

SDI Audio Inputs

16 channels embedded audio.

SDI Audio Outputs

16 channels embedded audio.

HDMI Audio Inputs

8 channels embedded audio.

HDMI Audio Outputs

8 channels embedded audio.

Remote Control

1 x RS-422 In, 1 x RS-422 Out.

Recorder Configuration

Via user interface or Blackmagic HyperDeck Ethernet Protocol.

Ethernet

1Gb/s

Computer Interface

1 x USB Type-C 3.0 (up to 5Gb/s) for external drive recording, webcam out, software configuration and updates.

Standards

SD Video Standards

525i59.94 NTSC, 625i50 PAL

HD Video Standards

720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30

2K DCI Video Standards

2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30

4K DCI Video Standards

4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI

SDI Compliance

SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2084 and SMPTE 2108‑1.

SDI Metadata Support

HD RP188 and closed captioning CEA‑708. HDR Metadata supported on SDI.

Supported HDMI Formats

525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI

Audio Sampling

Television standard 24‑bit, 48 kHz sample rate.

Video Sampling

4:2:2 YUV

Color Precision

10‑bit

Color Space

REC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied to SDI monitor out.

HDR Support

Hybrid Log‑Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084

Multi Rate Support

Auto detection of SD, HD and 6G‑SDI.

Copy Protection

HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.

Media

Media

2 x SD card slots 1 x USB-C 3.0 expansion port for external recording of SD, HD, 2K DCI, Ultra HD and 4K DCI.

Media Type

UHS-I and UHS-II SD cards.

Media Format

Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.

Supported Codecs

ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K DCI and 2160p formats up to 30fps. H.264 SDI 4:2:2 10‑bit, H.264 High 4:2:0 8‑bit, H.264 Medium 4:2:0 8‑bit, H.264 Low 4:2:0 8‑bit for all formats up to 1080p60.

Control

Built in Control Panel

13 buttons for transport and device control with search dial and 2.2 inch color display.

External Control

RS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. Supports remote FTP file upload.

Software

Software Included

Blackmagic OS Blackmagic HyperDeck Setup Internal Software UpgradeLoaded at system start, or via Blackmagic HyperDeck Setup using USB port.

Operating Systems

Mac 10.15 Catalina,Mac 11.1 Big Sur or later.
Windows 10, 64-bit.

Displays

Built in 2.2 inch LCD for video, audio and timecode monitoring and menu settings. LED indicator lights above the SD media slots.

Power Requirements

Power Supply

1 x Internal 100 - 240V AC 50/60Hz. 1 x 4 pin XLR 12V DC In for external power supply or battery use.

Power Usage

100 W max.

Accessories

Optional Accessories

HyperDeck Extreme Control Teranex Mini Rack Shelf

Physical Installation

Half rack unit width, 1 rack unit height.

Physical Specifications

Environmental Specifications

Operating Temperature

0° to 40° C (32°to 104° F)

Storage Temperature

-20° to 60° C (-4° to 140° F)

Relative Humidity

0% to 90% non‑condensing

What's Included

HyperDeck Studio HD Plus

Warranty

12 Month Limited Manufacturer's Warranty.

Quick Comparison

SettingsBlackmagic HyperDeck Studio HD Plus removeAJA Ki Pro Ultra 4K UHD Recorder & Player removeMOG mDECK Solid io - Robust Deck Appliance removeBlackmagic HyperDeck Extreme Control removeBlackmagic HyperDeck Extreme 8K HDR removeMOG mCODER Grand s - Media Transcoding Appliance remove
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DescriptionIncludes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProResand DNxHD to 2160p30.4K/UltraHD/2K/HD Recorder and PlayerSupports single-channel 4K/UltraHD/HD recording to ProRes or DNx filesSupports multi-channel HD recording to ProResRecords and plays back up to Apple ProRes 4444 XQ or Avid DNxHR HQXGenlock-free multi-channel HD recording up to 1080 60pSingle channel recording up to 4K 60pHDR recording and playback1x 12G-SDI I/O 3x 3G-SDI I/O (4x when also using the 12G-SDI capable port)HDMI 2.0 I/OSFP fiber cage I/O (fiber modules not included)2x PAK media bays with Ki Protect Analog audio I/O (DB-25 loom connectivity)AES/EBU digital audio I/O (DB-25 loom connectivity)Multi-channel embedded SDI and HDMI audioREF, LTC, RP-188 and RS-422 supportREST interfaceSupport for 8K VPID multi-unit playbackFront panel button controls with integrated HD resolution screenEasy to use web UI, configure and control from standard web browsersCompact 2RU, half-rack width designThree year warrantyDeck appliance for hybrid workflows in 4K, UHD, FHD, and NDIHyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.Advanced 8K model includes all the features of the 4K model, plus adds 8K recording and playback up to 4320p60 in H.265 and ProRes formats. Includes HDR touchscreen, scopes and quad link 12G-SDI.File ingest appliance of up to 8 combined media operations
ContentHyperDeck Studio HD Plus includes all the features of the Mini model, but is larger so it has more space for extra controls and extra connections. This model adds 6G-SDI so it can record and playback ProRes up to Ultra HD 30fps, and it includes an SDI loop out and HDR support. Plus the two 6G-SDI outputs allow fill and key playback up to 1080p60. There is also an HDMI input and a dedicated 3G-SDI monitoring output with overlays. Any button pushed on the front panel is sent to a dedicated RS-422 remote output and the DC power is now a broadcast style XLR connector. The front panel is also upgraded with better transport control buttons, a headphone socket and built in speaker.

Features

  • 4K/UltraHD/2K/HD Recorder and Player
  • Supports single-channel 4K/UltraHD/HD recording to ProRes or DNx files
  • Supports multi-channel HD recording to ProRes
  • Records and plays back up to Apple ProRes 4444 XQ or Avid DNxHR HQX
  • Genlock-free multi-channel HD recording up to 1080 60p
  • Single channel recording up to 4K 60p
  • HDR recording and playback
  • 1x 12G-SDI I/O
  • 3x 3G-SDI I/O (4x when also using the 12G-SDI capable port)
  • HDMI 2.0 I/O
  • SFP fiber cage I/O (fiber modules not included)
  • 2x PAK media bays with Ki Protect
  • Analog audio I/O (DB-25 loom connectivity)
  • AES/EBU digital audio I/O (DB-25 loom connectivity)
  • Multi-channel embedded SDI and HDMI audio
  • REF, LTC, RP-188 and RS-422 support
  • REST interface
  • Support for 8K VPID multi-unit playback
  • Front panel button controls with integrated HD resolution screen
  • Easy to use web UI, configure and control from standard web browsers
  • Compact 2RU, half-rack width design
  • Three year warranty

Ki Pro Ultra 12G Overview Video

Learn how Ki Pro Ultra 12G is the perfect fit for live production, post-production, on-set...any place that high-quality reliable recording and playback is needed. Explore the device’s broad feature set – from 12G-SDI and HDMI 2.0 video connectivity with HDR recording and playback to a dedicated web UI for remote control, file transfers and configuration and so much more.

Professional Connectivity

The video and audio connections on the rear panel of the Ki Pro Ultra 12G offer next generation connectivity with single channel 12G-SDI I/O over either BNC or optional FIber and three additional 3G-SDI ports for multi-channel HD or quad-link capture needs. HDMI v2.0 offers single cable simplicity all the way up to 4K. AES and analog XLR balanced audio, LTC, RS-422 and LAN round out the package. SFP+ cages offer the ability to install optional HD-BNC or Fiber SFPs for long cable run needs.

ProRes® 422 and 444 Recording

Ki Pro Ultra 12G records 4K/UltraHD/2K/HD to six quality levels of Apple ProRes® including Apple ProRes 4444 XQ. This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems. Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using AJA PAK 2000, PAK 1000, PAK 512 and PAK 256 SSD media. By utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable file sizes.

Genlock-Free Multi-Channel HD Recording

Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources. Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode; for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline. Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events.

Avid DNxHR MXF Recording

Ki Pro Ultra 12G also allows users to record 4K and UltraHD rasters with Avid codecs within an MXF wrapper, supporting Avid editors and native MXF workflows with more flexible options.Ki Pro Ultra 12GSD offers Avid DNxHR codecs in an MXF wrapper for the following formats:
  • DNxHR HQX
  • DNxHR SQ
  • DNxHR LB
    • (4K) 4096 x 2160p 23.98, 24, 25, 29.97
    • (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97

Avid DNxHD MXF Recording

Ki Pro Ultra 12G offers native Avid MXF support for HD workflows. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs.

  • This provides a native MXF workflow for Avid pipelines, free of transcoding.
  • DNxHD HQX (220x)*
  • DNxHD SQ (145)*
  • DNxHD LB (36)**
    • (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94
    • (HD) 1080i 25, 29.97
    • (HD) 1080PsF 23.98, 24, 25, 29.97
    • (HD) 720p 50, 59.94

*Avid DNxHD only supported for 1080 and 720 resolutions**Avid DNxHD 36 only supported for 1080p

4K, 12-bit Full Raster Workflows for Professionals

Next generation 4K/UltraHD 50/60p recording and playback are attainable all the way up to Apple ProRes XQ when using AJA PAK Media with Ki Pro Ultra 12G.

4K/UltraHD is supported through 12G-SDI, 4x 3G-SDI, HDMI 2.0 or optional fiber inputs and outputs. Ki Pro Ultra 12G not only supports true 4K at 4096 x 2160p for digital cinema and high quality UltraHD for broadcast production, it also offers the color depth to match including HDR support.

Any shoot or project benefits from the fabulously rich colors and smooth gradations across the luminance and chroma range that 12-bit makes possible with full 4:4:4 support including Apple ProRes 4444 XQ up to 2K 50/60p.

VFX work benefits from Ki Pro Ultra 12G’s 12-bit support to captured Apple ProRes 444 files, resulting in clean green screen plates for easy and detailed post-production manipulation. With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.

Edit Ready, Synched Files for Edit

Multi-Channel recording with Ki Pro Ultra 12G provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the PAK Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with _1, _2, _3 or _4 matching the input, making it very easy to track assets in post. Multi-Channel independent file naming support also allows an independent additional name to be added to each recorded file for further identifying specific information for the project's needs.  

HDMI 2.0: One Cable, Multiple Formats

Full HDMI 2.0 support on Ki Pro Ultra 12G offers deep color support all the way up to 4:4:4 12-bit RGB, perfect for rich color capture from affordable HDMI cameras and beautiful playback on the latest HDMI 2.0 displays.

A single cable can affordably transport both UltraHD or HD video and clean 24-bit 48 Hz 8-Channel audio to or from common HDMI 2.0 devices for a simple setup; perfect for independent producers, editors, ProAV, and anyone seeking to utilize the latest affordable capture and monitoring tools.

HDR

HDR or High Dynamic Range,  provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.

Ki Pro Ultra 12G provides this support for your 4K/UltraHD/HD HDR pipelines to HDMI and SDI compatible displays by generating HDR metadata in accordance with HDMI v2.0a/CTA-861.3 and SMPTE 352, which includes HDR 10 (PQ) and HLG for both input and output.

Explore more of our exciting HDR Solution here:

 

8K Playback

Ki Pro Ultra 12G has been updated to offer a powerful 8K playback functionality. By utilizing 4x Ki Pro Ultra 12G units as well as RS-422 control to all four units, playback of 8K video is achieved as individual 4K quadrants. The correct 8K SDI VPID is implemented to ensure compatibility with downstream devices.For 4x HDMI playback is also an option for this workflow with the addition of a suitable HDMI 2.0 to HDMI 2.1 converter.

Familiar Controls

Anyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Ultra 12G.

Just like a traditional tape deck, Ki Pro Ultra 12G features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.

The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.

The Ki Pro Ultra 12G operating system offers users a logical menu structure that is easy to navigate with menu parameters presented in clear and understandable language.

Remote Control, Configuration and File Transfers

In a truck or a machine room, Ki Pro Ultra 12G is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Ultra 12G parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer.

Multiple Ki Pro Ultra12G units can even be controlled from a single web interface making Ki Pro Ultra 12G an ideal solution for multi-camera and synched recordings.

Ki Pro Ultra 12G's web UI also provides a simple way to transfer media files across the network for remote sharing when in DATA-LAN mode.

RS-422 control allows Ki Pro Ultra 12G to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Ultra 12G.

Reliable Storage Media

Ki Pro Ultra 12G captures directly to rugged and reliable AJA PAK SSD media. PAK Media is available in a variety of capacities to best suit the demands of your production.

PAK 2000 and PAK 1000 are the perfect companions for Ki Pro Ultra 12G offering 2TB or 1TB of fast SSD media for up to 4K recording at 60p in ProRes HQ. PAK 512 and PAK 256 models offer equal performance in smaller capacities when needed.

The twin media drive bays on the Ki Pro Ultra 12G allow extremely fast media changes and rollover recording even for multi-channel recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity.

PAK Media may also be used with the optional PAK Dock Pro which features a USB 3.2 Gen 2 bus-powered connection for lightning fast data transfers from and to your desktop or laptop.

 

exFAT and HFS+ Support

Ki Pro Ultra 12G allows you to use the file system that suits your needs. Full flexibility is provided to format your recording media as either exFAT or HFS+ within Ki Pro Ultra 12G itself or from your desktop computer, ensuring wide OS compatibility. PAK media can also be ordered in either format for fast implementation upon arrival.

Infinite Recordand Rollover, Even inMulti-Channel Mode

Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. But Ki Pro Ultra 12G is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. This function works with each input to Ki Pro Ultra 12G and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.

Forced Rollover support allows users to force a rollover recording to the second PAK port at any point, allowing quick extraction of the first PAK drive for fast transfer to editing environments, playout servers and more, while recording continues.

Infinite Record allows continuous recording and rollover from PAK Drive to PAK Drive for a variety of needs including multi-day sporting events, conferences, security needs and much more.

Ki Protect

Ki Pro Ultra 12G includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.

While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio, essential for multi-channel recording.

High Resolution LCD with Onscreen Intuitive UI

Ki Pro Ultra 12G features a beautiful high resolution HD display for pristine monitoring of your material and serves as your interface to Ki Pro's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the 4.8” 720p LCD display.

The large LCD provides detailed playback and monitoring perfect for onset use, the OB truck, helicopter or studio and it’s transparent menu overlays can be set at just the level the user prefers. Ki Pro Ultra 12G offers control over brightness of the display for flexible control to suit your working environment.

4K and HD Monitoring

Ki Pro Ultra 12G provides full resolution outputs for 4K, UltraHD and HD over 12G-SDI, 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display. During Multi-Channel recording, the user can select to send either a single source or a Multi-Matrix of all four sources to the 3G-SDI monitor and HDMI outputs in any combination desired. Enhanced Super Out offers TC, Media remaining and up to 8-Channels of VU audio metering on the SDI Monitor output.

2SI (Two Sample Interleave)

Ki Pro Ultra 12G supports both Square Division Quad Split format and Two Sample Interleave offering a wide number of options to both record and playback 4K and UltraHD.

Set up is easy, with Ki Pro Ultra 12G sensing the format being delivered in its “Follow Input” mode.

Fiber and HD-BNC Connectivity

Ki Pro Ultra 12G's fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network alongside many other fiber products. Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away.  Optional Fiber SFP Modules supported:

Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12GSingle LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12GDual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12GDual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12GDual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12GDual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12GSingle LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TCSingle LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RXDual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TXDual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RXSingle LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MMSingle LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MMDual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MMDual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MMSingle SC 3G Fiber Tx  SFP AJA - Part # FIBERSC-1-TXSingle SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX

KPU-Shelf

Ki Pro Ultra 12G and Ki Pro GO conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounts, from facilities to flypacks. See the Ki Pro Ultra 12G options page for more.

AJA DataCalc

AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.

Industry Leading Support

AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue,   will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.
Ki Pro Ultra 12G lets you record edit-friendly Apple ProRes®, Avid DNxHR and Avid DNxHD files directly to removable AJA PAK SSD Media. Once removed from the Ki Pro Ultra Plus 12G, the PAK can be inserted into the AJA PAK Dock Pro which connects directly to your computer via USB 3.2 Gen2 over USB-C, allowing you to rapidly transfer files that are ready for use immediately in your non-linear editing system.

PAK Media

File based recording means your files are your master copy - something you don't want to leave to chance. PAK Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure. The reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed. There are four PAK Media sizes available offering a balance between price and long recording needs and you may order the media as preformatted in either HFS+ or exFAT for fast deployment upon arrival. PAK Media options**: PAK 256 $705 US MSRP PAK 512 $1189 US MSRP PAK 1000 $1779 US MSRP PAK 2000 $2135 US MSRP **Ki Pro Ultra Plus multi-channel recording requires either PAK 2000, PAK 1000 or PAK 512-R1 orPAK 256 -R1 model iterations.

PAK Dock Pro

PAK Dock Pro is an external dock for use with AJA PAK media. PAK Dock Pro utilizes a USB 3.2 Gen2 port for high speed transfer of recorded media files to a host computer. PAK Dock Pro is bus-powered, meaning that a single USB-C cable enables file transfer and also powers the unit. Features: 
  • Compatible with all AJA PAK Media for convenient file transfers
  • USB 3.2 Gen2 for transfer speeds up to 10Gbps*
    • Cables included
  • Reversible USB Type-C connector for quick and easy connection
  • Bus powered
  • Compact 11cm x 6cm x 1.5cm metal enclosure
    • Ideal for desktop use
*Actual transfer speed is dependent on the PAK media used $239 US MSRP

Partner Products: SF3 Series – AJA PAK Media Pro Card Reader

AJA partner Sonnet Technologies offers the SF3 Series – AJA PAK Media Pro Card Reader for ingesting files from PAK Media to laptop and desktop computers via Thunderbolt. Features include:
  • Dual card slots — Ingest files from two PAK Media cards at the same time
  • Dual Thunderbolt ports — Supports daisy chaining of readers and file ingests from multiple readers at up to 2,800 MB/s through one cable
  • 40Gbps Thunderbolt Device — Supports maximum file transfer speeds of all PAK media
  • Compatible with all Thunderbolt 4 computers; all M1, M2, M1 Pro, M1 Max, and M1 Ultra Mac® computers; and all Thunderbolt 3 Mac and Windows® computers.
The SF3 Series – AJA PAK Media Pro Card Reader is not sold by AJA. To learn more about it and to order please visit:

Partner Products: VX-1P PAK Media Reader with USB-C Connectivity

AJA partner Blackjet offers the VX-1P PAK Media Reader for AJA PAK file transfers between PAK Media and laptop or desktop computers via USB-C. The VX-1P is not sold by AJA. To learn more about VX-1P and to order please visit:

KPU-Shelf

Ki Pro Ultra 12G can be rackmounted side-by-side using the optional 2RU KPU-Shelf. $109 US MSRP

Optional 2ndKPU-Power-Supply

Ki Pro Ultra 12G offers dual power inputs which allows power redundancy support in the field. Simply connect two power supplies and should one source fail, the other automatically provides power. Ki Pro Ultra 12G ships with one included KPU-Power-Supply. $109 US MSRP

Fiber and HD-BNC Connectivity

Ki Pro Ultra 12G’s fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network with both 12G and/or 3G support, compatible with many other fiber products. 12G-SDI support is available for both In and/or Out through the first SFP cage in each case labelled 1 & 2. Fiber allows outgoing and incoming video signals to be transmitted as far as 10km away. Use AJA’s SFP Configurator tool for choosing the appropriate SFP module for your needs and ordering: Optional Fiber LC, SC and HD-BNC SFP Modules supported: Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12G Single LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12G Dual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12G Dual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12G Dual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12G Dual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12G Single LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TC Single LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RX Dual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TX Dual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RX Single LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MM Single LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MM Dual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MM Dual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MM Single SC 3G Fiber Tx  SFP AJA - Part # FIBERSC-1-TX Single SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX
Take your content production to the next level with mDECK Solid io, a professional media deck that ensures incredible reliability and elasticity with the combination of record, ingest, transcode, and playback operations in 4K, UHD, FHD, and NDI. All in a single box and with users working together as a group. This powerful appliance ensures broadcast quality for hybrid workflows (file-based and live) while supporting the most used formats on the market. Additionally, it has an option for local storage of 8TB, PSU redundancy, and an OS Drive.
HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!
mCODER Grand s is a professional multi-channel, multi-format, and real-time transcode appliance. Automatically transcode assets to internal house formats for a wide variety of media workflows. mCODER Grand s supports up to 8 simultaneous media operations that can be a combination of transcoding up to 8 files and up to 2 previewing operations.
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