Blackmagic HyperDeck Extreme 8K HDR
Advanced 8K model includes all the features of the 4K model, plus adds 8K recording and playback up to 4320p60 in H.265 and ProRes formats. Includes HDR touchscreen, scopes and quad link 12G-SDI.
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8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!
SDI Video Inputs4
SDI Video Outputs5 (12G-SDI A,B,C,D and 3G-SDI Monitor Out)
SDI Rates270Mb, 1.5G, 3G, 6G, 12G.
HDMI 2.0 Video Inputs1
HDMI 2.0 Video Outputs1
Analog Video Inputs1 x Component YUV on 3 BNCs, 1 x Composite NTSC/PAL on 1 BNC.
Analog Video OutputsNone
Analog Audio Inputs4 Channels of professional balanced analog audio via XLR connectors and 2 channels of consumer unbalanced via RCA connectors.
Built in SpeakerMono
Screen7 inch 1920 x 1200. 2000 nit DCI-P3 100% HDR LCD
Timecode Connections1 x XLR in and 1 x XLR out.
Reference InputTri-Sync or Black Burst.
SDI Audio Inputs16 channels embedded audio.
SDI Audio Outputs16 channels embedded audio.
HDMI Audio Inputs8 channels embedded audio.
HDMI Audio Outputs8 channels embedded audio.
Remote Control1 x RS-422 In, 1 x RS-422 Out.
Recorder ConfigurationVia user interface or Blackmagic HyperDeck Ethernet Protocol.
External Recording1 x USB-C 3.1 Gen 2 (up to 10Gb/s) for external disk recording.
Computer Interface1 x USB-C for software updates.
SD Video Standards525i59.94 NTSC, 625i50 PAL
HD Video Standards720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
2K DCI Video Standards1080p23.98 DCI, 1080p24 DCI, 1080p25 DCI 1080PsF23.98 DCI, 1080PsF24 DCI, 1080PsF25 DCI
Ultra HD Video Standards2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4K DCI Video Standards2160p23.98 DCI, 2160p24 DCI, 2160p25 DCI
8K Video Standards4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p30, 4320p50, 4320p59.94, 4320p60
8K DCI Video Standards4320p23.98 DCI, 4320p24 DCI, 4320p25 DCI
SDI ComplianceSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1, SMPTE 2082-10 and SMPTE 2084.
SDI Metadata SupportHD RP188 and closed captioning CEA-708. HDR Metadata supported on SDI.
Audio SamplingTelevision standard 24-bit, 48 kHz sample rate.
Video Sampling4:2:2 YUV
Color SpaceREC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied via the LUTS menu tab.
Multi Rate SupportAuto detection of SD, HD, 6G‑SDI, 12G-SDI, 2SI Quad Link 12G-SDI.
Copy ProtectionHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Cache RecordingSlot for optional M.2 PCIe NVMe card for cache recording up to 16Gb/s. 60mm 80mm and 110mm supported.
Media2 x CFast 2.0 card slots and 1 x USB-C 3.1 Gen 2 expansion port for external recording of SD, HD, Ultra HD and 8K.
Media TypeCFast card and external USB-C flash drives.
Media FormatCan format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Video CodecsProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 4320p60. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K DCI and 2160p formats up to 60fps. H.265 Medium 4:2:0 10‑bit, H.265 Low 4:2:0 10‑bit for all 2160p formats up to 60 fps. H.264 SDI 4:2:2 10‑bit, H.264 High 4:2:0 8‑bit, H.264 Medium 4:2:0 8‑bit, H.264 Low 4:2:0 8‑bit for all formats up to 1080p60.
Audio CodecsAAC 2 Channels. PCM 2, 4, 8, 16, 32 or 64 Channels.
ScopesWaveform, RGB Parade, Vector and Histogram scopes in broadcast quality 10-bit.
Viewing ModesPicture in picture, picture overlay with opacity control. Waveform and RGB parade with standard and HDR graticules and Vector with zoom.
Built in Control PanelIntegrated capacitive touchscreen LCD with onscreen controls for settings and navigating menus.
External ControlRS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol.
Software IncludedBlackmagic OS Blackmagic HyperDeck Setup
Internal Software UpgradeLoaded at system start, or via Blackmagic HyperDeck Setup using USB port.
Power Supply1 x Internal 100 - 240V AC. 1 x 4 pin XLR 12V DC IN for external power or battery use.
Power Usage190W max.
Optional AccessoriesHyperDeck Extreme Control HyperDeck Extreme Rack Kit
Operating Temperature0° to 40° C (32°to 104° F)
Storage Temperature-20° to 60° C (-4° to 140° F)
Relative Humidity0% to 90% non-condensing
|Settings||Blackmagic HyperDeck Extreme 8K HDR remove||MOG mDECK Solid io - Robust Deck Appliance remove||MOG mDECK Grand io - Professional Media Deck remove||MOG mREC Grand av - Video File Recorder remove||MOG mDECK Densu tl - Compact Deck Appliance remove||AJA Ki Pro Rack File Based 1RU Recorder and Player remove|
|Name||Blackmagic HyperDeck Extreme 8K HDR remove||MOG mDECK Solid io - Robust Deck Appliance remove||MOG mDECK Grand io - Professional Media Deck remove||MOG mREC Grand av - Video File Recorder remove||MOG mDECK Densu tl - Compact Deck Appliance remove||AJA Ki Pro Rack File Based 1RU Recorder and Player remove|
|Availability||In Stock||In Stock||In Stock||In Stock||In Stock||In Stock|
|Add to cart|
|Description||Advanced 8K model includes all the features of the 4K model, plus adds 8K recording and playback up to 4320p60 in H.265 and ProRes formats. Includes HDR touchscreen, scopes and quad link 12G-SDI.||Deck appliance for hybrid workflows in 4K, UHD, FHD, and NDI||Deck appliance for hybrid workflows in 4K, UHD, FHD, IP Live, and NDI||Video file appliance for recording workflows in 4K, UHD, FHD, IP Live, and NDI with additional XAVC & AVC-Ultra hardware encoder accelerator||Compact dual-node deck appliance for hybrid workflows in FHD, IP Live, and NDI with support for XDCAM and P2 structures||HD/SD Recorder and PlayerRecord and playback Apple ProRes or Avid DNxHD filesSDI, HDMI, and Component Video I/OAES (BNC) and analog (XLR) audio I/O2x KiStor media bays with Ki ProtectBalanced XLR analog audio inputs, mic/line/48v switchableMulti-channel embedded SDI and HDMI audioUp, down, cross-conversion built-inREF, LTC, RP-188 and RS-422 supportREST interfaceFront panel button controlsEasy to use web UI, configure and control from standard web browsersCompact 1RU designThree year warranty|
|Content||8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!|
Take your content production to the next level with mDECK Solid io, a professional media deck that ensures incredible reliability and elasticity with the combination of record, ingest, transcode, and playback operations in 4K, UHD, FHD, and NDI. All in a single box and with users working together as a group. This powerful appliance ensures broadcast quality for hybrid workflows (file-based and live) while supporting the most used formats on the market. Additionally, it has an option for local storage of 8TB, PSU redundancy, and an OS Drive.
Take your content production to the next level with DECK Grand io, a professional media deck that ensures incredible reliability and elasticity with the combination of record, ingest, transcode, and playback operations in 4K, UHD, FHD, IP Live, and NDI. All in a single box and with users working together as a group. This powerful appliance ensures broadcast quality for hybrid workflows (file-based and live) while supporting the most used formats on the market. Additionally, it comes with local storage of 32TB, PSU redundancy, and an OS Drive.
mREC Grand av is a powerful and flexible multi-format SDI/IP recording appliance with additional XAVC & AVC-Ultra hardware encoder accelerator. Optimize media creativity for enterprise, digital media, sports, and broadcast markets with a streamlined file-based capture system, with full support for recording 4K UHD and HDR live video channels in different file formats. mREC Grand av supports simultaneous media operations that can be a combination of recording and previewing files.
Boost your team’s performance with mDECK Densu tl, a professional dual-node media deck that can combine operations of record, ingest, transcode, and playback content in FHD, IP Live, and NDI from XDCAM and P2 structures directly to HDD or SSD removable drives. mDECK Densu tl supports combinations of media operations and guarantees a universe of distinct arrangements to suit the different activities of each day. Additionally, it comes with PSU redundancy, and an OS Drive.
Transition to File Based Workflows
For video facilities transitioning from tape to file based workflows for recording and playback, Ki Pro Rack offers high quality, 'ready-to-edit' file capture, designed to get material from source to editorial as quickly as possible. With a wealth of professional connections, Ki Pro Rack will fit right into your existing cabling and routing system and record 10-bit Apple ProRes and Avid DNxHD files direct to removable hard disk or SSD Storage Modules, eliminating the need for time-consuming logging and capturing. The files can be used in most editing systems without the need for additional transcoding or importing processes.
Unify Formats -Speed Workflows
AJA's high quality up, down, cross-conversion makes it easy to unify SD, 720p, and 1080i and create a single desired format for your project. The multitude of video and audio connections such as SDI, HDMI and analog make integrating Ki Pro Rack with other production equipment easy.
RS-422 control allows Ki Pro Rack to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Rack. Ki Pro Rack’s RS-422 control can also be used to link a traditional VTR with Ki Pro Rack for direct editing control. Use the editing controls on properly equipped VTRs to control Ki Pro Rack for machine to machine transfer of video and audio. This allows tape footage to be captured directly as files on Ki Pro Rack without the need for a separate edit controller.
10-bit, Full Raster Recording
Big on quality - but not on file size. Recording 10-bit, full raster files, Ki Pro Rack gives you high quality images that easily stand up to post processing requirements - and client scrutiny. Compared to 8-bit recording devices, 10-bit 4:2:2 recording (when supported by the codec) provides better quantization, giving a superior representation of the original scene and allowing for more flexibility in postproduction when adjusting color and balance. By utilizing efficient ProRes and DNxHD codecs, file sizes are kept in check so you won't need to blow your production budget on extra storage.
Reliable Storage Media
Ki Pro Rack captures directly to reliable AJA KiStor media. KiStor media are available as HDDs or SSDs in a variety of capacities to best suit the demands of your production environment. KiStor modules also feature built-in USB 3.0 connectivity for direct connection to your editing system using standard interfaces. Utilizing the rollover recording capability with the dual media drive bays, recording can start on one media module and seamlessly continue onto the second module once the first has reached capacity. This makes Ki Pro Rack ideal for long form recording needs while maintaining incredibly image high quality.
Familiar Controlsand Operation
Anyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Rack. Just like a traditional tape deck, Ki Pro Rack features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time. The current status of the system and key configuration information is clearly displayed on the built-in screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back. The Ki Pro Rack operating system offers users a flat menu structure that is easy to navigate with menu parameters presented in clear and understandable language.
The video and audio connections on the rear panel of the Ki Pro Rack offer the same standard connectors found on traditional tape decks, allowing Ki Pro Rack to integrate easily with your current cabling and routing. The rear connections include SDI, HDMI, component analog, AES and analog XLR balanced audio, LTC, RS-422 and LAN.
Ethernet File Transfer
Utilizing the LAN network functionality, media can be copied to and from the Ki Pro Rack over the Ethernet connection. This allows for fast file transfers without the need to physically remove the media from the Ki Pro Rack, which can be especially useful in larger facilities and cuts down dramatically on the number of people that have to enter the machine room, minimizing the risk of unintentional interference with equipment.
Remote Configuration and Operation
In a truck or a machine room, Ki Pro Rack is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Rack parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer. Multiple Ki Pro Rack units can even be controlled from a single web interface making Ki Pro Rack an ideal solution for multi-camera recordings.
AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.
Industry Leading Support
AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue, will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.
Ki Pro Rack lets you record edit-friendly HD ProRes files directly to removable KiStor Media. Once removed from the Ki Pro Rack, the KiStor can be inserted in the AJA KiStor Dock which connects directly to your computer via Thunderbolt™ or USB3, allowing you to rapidly transfer ProRes files that are ready for use immediately in your non-linear editing system.
KiStor Storage Modules use thoroughly tested media and are backed by a 1-year warranty. KiStor Storage Modules are also engineered with the rigors of production use in mind; not only are robust housings used for the media, but connectors rated for multiple insertions and removals are used, unlike bare HDD or SSD connectors that are not engineered for repeated use. Additionally, KiStor modules can be formatted in the device making it a true stand alone recorder; connecting the media to a host computer to format media is not necessary.