Blackmagic Fairlight Audio Interface
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Description
Fairlight Audio Interface is a professional audio post production I/O interface with an extensive variety of analog and digital inputs and outputs, preamps for microphones and instruments, built in sample rate conversion, sync at any standard frame rate and dual 9‑pin control ports! Fairlight Audio Interface requires Fairlight Audio Accelerator and connects to the Fairlight Audio Interface with a supplied proprietary interface cable.
Connections
Analog Audio Inputs
2 x remote controlled XLR/TRS microphone inputs with 48v phantom power / instrument preamps.
8 x +24dBu balanced analog inputs.
Analog Audio Outputs
12 x +24dBu balanced analog outputs with mute protection.
Digital Audio Inputs
9 x fully transformer coupled AES stereo digital inputs.
1 x S/PDIF input with sample-rate conversion.
Digital Audio Outputs
11 x AES stereo digital outputs.
1 x stereo digital S/PDIF output.
Standard 25pin Tascam interface for Analog and AES looms.
Sync Input
1 x 75 ohm BNC Reference input. Tri‑Sync or Black Burst.
1 x 75 ohm BNC word clock input.
Sync Output
1 x 75 ohm BNC Reference loop out. Tri‑Sync or Black Burst.
1 x 75 ohm BNC word clock regenerated output.
Sync to all common frame rates and formats including HD Tri‑level sync, video sync, word‑clock and AES/EBU.
Device Control
1 x RS-422 9-pin machine control input.
1 x RS-422 9-pin machine control output.
Timecode
Timecode input and output with regeneration.
MIDI
For future use
GPIO
GPI and GPO connections for cough and ‘On‑Air’ control
Product Specifics
Sample Rate
44.1, 48, 96, 192 kHz
Max Input
Inputs 1-2 (mic): +2.5dBu
Inputs 1-2 (instrument): +24dBu
Inputs 3-10 (Line): +24dBu
Gain Range
Inputs 1-2: Mic Inputs: 50dB gain range (+21.5 to +71.5dB)
Inputs 1-2 : Instrument Setting: 50dB gain range (+0 to +50dB)
Mic E.I.N (unweighted)
Inputs 1-2: -127dBu @40dB (61.5dB)
Gain: 150 ohm source, 20Hz - 20kHz THD+N (mic input)
Inputs 1-2: <0.001%@ 1kHz, -1 dBFS at 0dB gain
Inputs 1-2: <0.004%@ 1kHz, -1 dBFS at 40dB (61.5dB) gain
THD+N (line input)
Inputs 1-2: <0.001%@ 1kHz, -1 dBFS after 0dB gain (unweighted)
Inputs 3-10 : <0.001 % @ 1 kHz (unweighted)
Dynamic Range (line input)
Inputs 1-2 : 108dB @ 0dB gain (unweighted)
Inputs 3-10: 110dB (unweighted)
Input Frequency Response
+0.05/-0.05dB, 20Hz - 20kHz
Input Impedance
Inputs 1-2 (XLR) : 2k ohm
Inputs 1-2 (1/4"): >1M ohm
Inputs 3-10: 15k ohm
Max Output
Outputs 1-12: +24 dBu
THD+N (Line Outputs)
Outputs 1-12: <0.002%
Dynamic Range (Line Output)
Outputs 1-12 : 109 dB (unweighted)
Output Frequency Response
+0.05/-0.5dB, 20Hz - 20kHz
Output Impedance
Outputs 1-12 : 50 ohms
Operating Systems
Mac 10.15 Catalina or later.
Windows 10, 64-bit.
Power Requirements
Power Supply
Internal 100 - 240V AC 50/60Hz with IEC C14 mains input.
Power Usage
40W
Power Management
Automatically powered-on/off only when the Fairlight Audio Accelerator is powered on.
Physical Specifications
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)
Storage Temperature
-20° to 60°C (-4° to 140°F)
Relative Humidity
0% to 90% non-condensing
What's Included
Fairlight Audio Interface
Fairlight Audio Interface multi-pin cable to connect to Fairlight Audio Accelerator.
Warranty
1 Year Limited Manufacturer's Warranty.
Quick Comparison
| Settings | Blackmagic Fairlight Audio Interface remove | Blackmagic Fairlight Console Channel Control remove | Blackmagic Fairlight Desktop Audio Editor remove | Blackmagic ATEM Microphone Converter remove | Blackmagic Fairlight Audio Accelerator remove | Blackmagic Fairlight Console Audio Editor remove |
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| Name | Blackmagic Fairlight Audio Interface remove | Blackmagic Fairlight Console Channel Control remove | Blackmagic Fairlight Desktop Audio Editor remove | Blackmagic ATEM Microphone Converter remove | Blackmagic Fairlight Audio Accelerator remove | Blackmagic Fairlight Console Audio Editor remove |
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| Description | Get incredibly fast audio editing for soundengineers working on tight deadlines! IncludesLCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys. | Expand microphone inputs by converting 4 analog XLR inputs to MADI. Features low noise floor of -129dBV, dynamic range of 131dB(A), low distortion of 0.002% and HDMI monitoring with scrolling waveforms! | ||||
| Content | Fairlight Audio Interface is a professional audio post production I/O interface with an extensive variety of analog and digital inputs and outputs, preamps for microphones and instruments, built in sample rate conversion, sync at any standard frame rate and dual 9‑pin control ports! Fairlight Audio Interface requires Fairlight Audio Accelerator and connects to the Fairlight Audio Interface with a supplied proprietary interface cable. | Fairlight Console Channel Control is a multi function panel designed to extend the functionality of your channel faders. You get 12 groups of touch sensitive control knobs and illuminated buttons that can be assigned to a single channel, the 12 adjacent fader channels or the master bus. This gives you fast access to 192 different parameter controls per channel! Your selections control the LCD monitor so you have a precise display of your changes as you make them. | The stand alone desktop model of Fairlight Audio Desktop Editor provides incredible speed and control for professional sound editors working on tight deadlines! You get quick access controls for high speed precision audio editing that let you work much faster than you could with a traditional mouse. The elegant design features an interactive LCD screen, touch sensitive control knobs, macro buttons, number pad, high quality search dial with electronic clutch and full keyboard with multi function picture keys that change based on your current task! Simply connect Fairlight Audio Desktop Editor by ethernet directly to the DaVinci Resolve computer. The menus and controls are designed with more than 20 years of professional audio engineer guidance and use, so it’s optimized for any project you can throw at it! | Now it’s easy to expand the MADI input on the ATEM Television Studio switchers to add multiple microphones or external audio mixer sources. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analog inputs that are mic/line selectable and have phantom power. The design features amazing audio quality with an extremely low noise floor, a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range! There is also an HDMI monitoring output with scrolling audio waveforms. | Fairlight Audio Accelerator with DaVinci Resolve offers ultra low latency for up to 2000 tracks, cascading bus management with FlexBus and real time processing, and one coax MADI I/O with up to 64 inputs and outputs at 24 bit/48kHz! The single width PCIe card connects to the Fairlight Audio Interface with a proprietary interface to synchronize to house reference via the interface word clock, AES, MADI or HD Tri‑sync or reference video inputs. | As part of a full console, Fairlight Console Audio Editor provides incredible speed and control for professional sound editors working on tight deadlines! You get quick access controls for high speed precision audio editing that let you work much faster than you could with a traditional mouse. The elegant design features an interactive LCD screen, touch sensitive control knobs, macro buttons, number pad, high quality search dial with electronic clutch and full keyboard with multi function picture keys that change based on your current task! Simply connect Fairlight Console Audio Editor by ethernet directly to your console. The menus and controls are designed with more than 20 years of professional audio engineer guidance and use, so it’s optimized for any project you can throw at it! |
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