• 4K/UltraHD/2K/HD Recorder and Player
• Supports single-channel 4K/UltraHD/HD recording to ProRes or DNx files
• Supports multi-channel HD recording to ProRes
• Records and plays back up to Apple ProRes 4444 XQ or Avid DNxHR HQX
• Genlock-free multi-channel HD recording up to 1080 60p
• Single channel recording up to 4K 60p
• HDR recording and playback
• 1x 12G-SDI I/O
• 3x 3G-SDI I/O (4x when also using the 12G-SDI capable port)
• HDMI 2.0 I/O
• SFP fiber cage I/O (fiber modules not included)
• 2x PAK media bays with Ki Protect
• Analog audio I/O (DB-25 loom connectivity)
• AES/EBU digital audio I/O (DB-25 loom connectivity)
• Multi-channel embedded SDI and HDMI audio
• REF, LTC, RP-188 and RS-422 support
• REST interface
• Support for 8K VPID multi-unit playback
• Front panel button controls with integrated HD resolution screen
• Easy to use web UI, configure and control from standard web browsers
• Compact 2RU, half-rack width design
• Three year warranty

Learn how Ki Pro Ultra 12G is the perfect fit for live production, post-production, on-set...any place that high-quality reliable recording and playback is needed. Explore the device’s broad feature set – from 12G-SDI and HDMI 2.0 video connectivity with HDR recording and playback to a dedicated web UI for remote control, file transfers and configuration and so much more.

Ki Pro Ultra 12G records 4K/UltraHD/2K/HD to six quality levels of Apple ProRes® including Apple ProRes 4444 XQ. This lets you choose the balance of image fidelity and file size that’s right for each individual production as well as having the flexibility to record directly to native file formats that are understood by most major editing systems. Next generation UltraHD 60p and 4K 60p recording is attainable all the way up to Apple ProRes HQ when using AJA PAK 2000, PAK 1000, PAK 512 and PAK 256 SSD media. By utilizing Apple ProRes, your project will have the best image quality available, with manageable and affordable file sizes.

Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra 12G – without the need to genlock the sources. Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra 12G and save power, space, time and effort on set, in the studio and when setting up OB trucks. Ki Pro Ultra 12G even allows independent profile support per channel in Multi-Channel mode; for example, select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline. Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA PAK media*. Ki Pro Ultra 12G even allows rollover to a second PAK for hours of uninterrupted multi-channel recording. Internal frame synchronizers eliminate the need for sources to be genlocked, which can be especially useful when setting up live events.

Ki Pro Ultra 12G also allows users to record 4K and UltraHD rasters with Avid codecs within an MXF wrapper, supporting Avid editors and native MXF workflows with more flexible options.Ki Pro Ultra 12GSD offers Avid DNxHR codecs in an MXF wrapper for the following formats:

• DNxHR HQX
• DNxHR SQ
• DNxHR LB
  • (4K) 4096 x 2160p 23.98, 24, 25, 29.97
  • (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97

Ki Pro Ultra 12G offers native Avid MXF support for HD workflows. Record and playback DNxHD files with an OP1a profile within an MXF container for DNxHD HQX (220x), DNxHD SQ (145) and DNxHD LB (36) codecs.

• This provides a native MXF workflow for Avid pipelines, free of transcoding.
• DNxHD HQX (220x)*
• DNxHD SQ (145)*
• DNxHD LB (36)**
  • (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94
  • (HD) 1080i 25, 29.97
  • (HD) 1080PsF 23.98, 24, 25, 29.97
  • (HD) 720p 50, 59.94

*Avid DNxHD only supported for 1080 and 720 resolutions**Avid DNxHD 36 only supported for 1080p

Next generation 4K/UltraHD 50/60p recording and playback are attainable all the way up to Apple ProRes XQ when using AJA PAK Media with Ki Pro Ultra 12G.

4K/UltraHD is supported through 12G-SDI, 4x 3G-SDI, HDMI 2.0 or optional fiber inputs and outputs. Ki Pro Ultra 12G not only supports true 4K at 4096 x 2160p for digital cinema and high quality UltraHD for broadcast production, it also offers the color depth to match including HDR support.

Any shoot or project benefits from the fabulously rich colors and smooth gradations across the luminance and chroma range that 12-bit makes possible with full 4:4:4 support including Apple ProRes 4444 XQ up to 2K 50/60p.

VFX work benefits from Ki Pro Ultra 12G’s 12-bit support to captured Apple ProRes 444 files, resulting in clean green screen plates for easy and detailed post-production manipulation. With full HDMI 2.0, you can monitor it all from 4:2:2 YCbCr to full 4:4:4 RGB in 12-bit.

Multi-Channel recording with Ki Pro Ultra 12G provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the PAK Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with _1, _2, _3 or _4 matching the input, making it very easy to track assets in post. Multi-Channel independent file naming support also allows an independent additional name to be added to each recorded file for further identifying specific information for the project's needs.  

Full HDMI 2.0 support on Ki Pro Ultra 12G offers deep color support all the way up to 4:4:4 12-bit RGB, perfect for rich color capture from affordable HDMI cameras and beautiful playback on the latest HDMI 2.0 displays.

A single cable can affordably transport both UltraHD or HD video and clean 24-bit 48 Hz 8-Channel audio to or from common HDMI 2.0 devices for a simple setup; perfect for independent producers, editors, ProAV, and anyone seeking to utilize the latest affordable capture and monitoring tools.

HDR or High Dynamic Range,  provides the ability to display a wider and richer range of colors, much brighter whites, and much deeper, darker blacks than standard signals allow. This gives your imagery a more ‘dynamic’ look and allows for natural true to life colors to be communicated to your audience.

Ki Pro Ultra 12G provides this support for your 4K/UltraHD/HD HDR pipelines to HDMI and SDI compatible displays by generating HDR metadata in accordance with HDMI v2.0a/CTA-861.3 and SMPTE 352, which includes HDR 10 (PQ) and HLG for both input and output.

Explore more of our exciting HDR Solution here:

 

Ki Pro Ultra 12G has been updated to offer a powerful 8K playback functionality. By utilizing 4x Ki Pro Ultra 12G units as well as RS-422 control to all four units, playback of 8K video is achieved as individual 4K quadrants. The correct 8K SDI VPID is implemented to ensure compatibility with downstream devices.For 4x HDMI playback is also an option for this workflow with the addition of a suitable HDMI 2.0 to HDMI 2.1 converter.

Anyone familiar with the operation of a tape deck will feel immediately comfortable when working with Ki Pro Ultra 12G.

Just like a traditional tape deck, Ki Pro Ultra 12G features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time.

The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.

The Ki Pro Ultra 12G operating system offers users a logical menu structure that is easy to navigate with menu parameters presented in clear and understandable language.

In a truck or a machine room, Ki Pro Ultra 12G is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro Ultra 12G parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer.

Multiple Ki Pro Ultra12G units can even be controlled from a single web interface making Ki Pro Ultra 12G an ideal solution for multi-camera and synched recordings.

Ki Pro Ultra 12G's web UI also provides a simple way to transfer media files across the network for remote sharing when in DATA-LAN mode.

RS-422 control allows Ki Pro Ultra 12G to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro Ultra 12G.

Ki Pro Ultra 12G captures directly to rugged and reliable AJA PAK SSD media. PAK Media is available in a variety of capacities to best suit the demands of your production.

PAK 2000 and PAK 1000 are the perfect companions for Ki Pro Ultra 12G offering 2TB or 1TB of fast SSD media for up to 4K recording at 60p in ProRes HQ. PAK 512 and PAK 256 models offer equal performance in smaller capacities when needed.

The twin media drive bays on the Ki Pro Ultra 12G allow extremely fast media changes and rollover recording even for multi-channel recording, which allows a recording to start on one media module and seamlessly continue onto the second module once the first has reached capacity.

PAK Media may also be used with the optional PAK Dock Pro which features a USB 3.2 Gen 2 bus-powered connection for lightning fast data transfers from and to your desktop or laptop.

 

Ki Pro Ultra 12G allows you to use the file system that suits your needs. Full flexibility is provided to format your recording media as either exFAT or HFS+ within Ki Pro Ultra 12G itself or from your desktop computer, ensuring wide OS compatibility. PAK media can also be ordered in either format for fast implementation upon arrival.

Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. But Ki Pro Ultra 12G is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. This function works with each input to Ki Pro Ultra 12G and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.

Forced Rollover support allows users to force a rollover recording to the second PAK port at any point, allowing quick extraction of the first PAK drive for fast transfer to editing environments, playout servers and more, while recording continues.

Infinite Record allows continuous recording and rollover from PAK Drive to PAK Drive for a variety of needs including multi-day sporting events, conferences, security needs and much more.

Ki Pro Ultra 12G includes Ki Protect, a feature that helps to ensure data integrity if a media drive is accidentally removed or loses power during recording. The Ki Protect feature automatically pre-allocates recording space on the media drive for video, audio and timecode when the record button is pressed.

While recording, the file header is then continuously updated every time new data is written. That way, the only loss that should be incurred is the last few frames that were in transit to the media drive to be recorded when the operation was interrupted. Frames that are already recorded will be preserved and are recoverable, providing greater peace of mind on set and in the studio, essential for multi-channel recording.

Ki Pro Ultra 12G features a beautiful high resolution HD display for pristine monitoring of your material and serves as your interface to Ki Pro's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the 4.8” 720p LCD display.

The large LCD provides detailed playback and monitoring perfect for onset use, the OB truck, helicopter or studio and it’s transparent menu overlays can be set at just the level the user prefers. Ki Pro Ultra 12G offers control over brightness of the display for flexible control to suit your working environment.

Ki Pro Ultra 12G provides full resolution outputs for 4K, UltraHD and HD over 12G-SDI, 3G-SDI, FIber and HDMI, including the latest affordable UltraHD monitors using HDMI for on-set quality checks. An additional dedicated 2K and HD-SDI monitor output can be fed to any affordable and existing HD-SDI display. During Multi-Channel recording, the user can select to send either a single source or a Multi-Matrix of all four sources to the 3G-SDI monitor and HDMI outputs in any combination desired. Enhanced Super Out offers TC, Media remaining and up to 8-Channels of VU audio metering on the SDI Monitor output.

Ki Pro Ultra 12G supports both Square Division Quad Split format and Two Sample Interleave offering a wide number of options to both record and playback 4K and UltraHD.

Set up is easy, with Ki Pro Ultra 12G sensing the format being delivered in its “Follow Input” mode.

Ki Pro Ultra 12G's fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network alongside many other fiber products. Fiber allows outgoing and incoming video signals to be transmitted as far as 10 km away.  Optional Fiber SFP Modules supported:

Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12GSingle LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12GDual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12GDual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12GDual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12GDual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12GSingle LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TCSingle LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RXDual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TXDual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RXSingle LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MMSingle LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MMDual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MMDual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MMSingle SC 3G Fiber Tx  SFP AJA - Part # FIBERSC-1-TXSingle SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX

Ki Pro Ultra 12G and Ki Pro GO conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounts, from facilities to flypacks. See the Ki Pro Ultra 12G options page for more.

AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.

AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue,   will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.

File based recording means your files are your master copy - something you don't want to leave to chance. PAK Media uses a solid metal housing to protect the internal SSD drive from the bumps and bounces of field use, ensuring your media is secure. The reinforced connector is engineered for repeated insertion and removal cycles, unlike the connector built into SSD drives, which is designed primarily to be inserted into a computer and rarely removed. There are four PAK Media sizes available offering a balance between price and long recording needs and you may order the media as preformatted in either HFS+ or exFAT for fast deployment upon arrival. PAK Media options**: PAK 256 $705 US MSRP PAK 512 $1189 US MSRP PAK 1000 $1779 US MSRP PAK 2000 $2135 US MSRP **Ki Pro Ultra Plus multi-channel recording requires either PAK 2000, PAK 1000 or PAK 512-R1 orPAK 256 -R1 model iterations.

PAK Dock Pro is an external dock for use with AJA PAK media. PAK Dock Pro utilizes a USB 3.2 Gen2 port for high speed transfer of recorded media files to a host computer. PAK Dock Pro is bus-powered, meaning that a single USB-C cable enables file transfer and also powers the unit. Features: 

• Compatible with all AJA PAK Media for convenient file transfers
• USB 3.2 Gen2 for transfer speeds up to 10Gbps*
  • Cables included
• Reversible USB Type-C connector for quick and easy connection
• Bus powered
• Compact 11cm x 6cm x 1.5cm metal enclosure
  • Ideal for desktop use

*Actual transfer speed is dependent on the PAK media used $239 US MSRP

AJA partner Sonnet Technologies offers the SF3 Series – AJA PAK Media Pro Card Reader for ingesting files from PAK Media to laptop and desktop computers via Thunderbolt. Features include:

• Dual card slots — Ingest files from two PAK Media cards at the same time
• Dual Thunderbolt ports — Supports daisy chaining of readers and file ingests from multiple readers at up to 2,800 MB/s through one cable
• 40Gbps Thunderbolt Device — Supports maximum file transfer speeds of all PAK media
• Compatible with all Thunderbolt 4 computers; all M1, M2, M1 Pro, M1 Max, and M1 Ultra Mac® computers; and all Thunderbolt 3 Mac and Windows® computers.

The SF3 Series – AJA PAK Media Pro Card Reader is not sold by AJA. To learn more about it and to order please visit:

AJA partner Blackjet offers the VX-1P PAK Media Reader for AJA PAK file transfers between PAK Media and laptop or desktop computers via USB-C. The VX-1P is not sold by AJA. To learn more about VX-1P and to order please visit:

Ki Pro Ultra 12G can be rackmounted side-by-side using the optional 2RU KPU-Shelf. $109 US MSRP

Ki Pro Ultra 12G offers dual power inputs which allows power redundancy support in the field. Simply connect two power supplies and should one source fail, the other automatically provides power. Ki Pro Ultra 12G ships with one included KPU-Power-Supply. $109 US MSRP

Ki Pro Ultra 12G’s fully integrated fiber inputs and outputs means it can be integrated directly to a dedicated fiber network with both 12G and/or 3G support, compatible with many other fiber products. 12G-SDI support is available for both In and/or Out through the first SFP cage in each case labelled 1 & 2. Fiber allows outgoing and incoming video signals to be transmitted as far as 10km away. Use AJA’s SFP Configurator tool for choosing the appropriate SFP module for your needs and ordering: Optional Fiber LC, SC and HD-BNC SFP Modules supported: Single LC 12G Fiber Tx SFP AJA - Part # FIBERLC-1TX-12G Single LC 12G Fiber Rx SFP AJA - Part # FIBERLC-1RX-12G Dual LC 12G Fiber Tx SFP AJA - Part # FIBERLC-2TX-12G Dual LC 12G Fiber Rx SFP AJA - Part # FIBERLC-2RX-12G Dual HD-BNC 12G Copper Tx SFP AJA - Part # HDBNC-2TX-12G Dual HD-BNC 12G Copper Rx SFP AJA - Part # HDBNC-2RX-12G Single LC 3G Fiber Tx SFP AJA - Part # FIBERLC-1-TC Single LC 3G Fiber Rx SFP AJA - Part # FIBERLC-1-RX Dual LC 3G Fiber Tx SFP AJA - Part # FIBERLC-2-TX Dual LC 3G Fiber Rx SFP AJA - Part # FIBERLC-2-RX Single LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-1-TX-MM Single LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-1-RX-MM Dual LC 3G Fiber Tx Multi-Mode SFP AJA - Part # FIBERLC-2-TX-MM Dual LC 3G Fiber Rx Multi-Mode SFP AJA - Part # FIBERLC-2-RX-MM Single SC 3G Fiber Tx  SFP AJA - Part # FIBERSC-1-TX Single SC 3G Fiber Rx SFP AJA - Part # FIBERSC-1-RX

• Multi-channel H.264 recording
• 5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 media
• In system exFAT drive formatting
• Redundant recording to user selectable USB ports
• Recording to network (SMB) storage
• Redundant recording to user selectable destinations – USB or SMB
• Genlock-free inputs
• 4x 3G-SDI inputs
• 4x 3G-SDI outputs
• 1x 3G-SDI monitoring output
• 4x HDMI inputs
• 1x HDMI monitoring output
• HDMI and SDI multi-channel matrix monitoring
• HDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levels
• Playback H.264 files externally created in DaVinci Resolve, Avid Media Composer, Apple Final Cut Pro, and Adobe Premiere Pro
• Single-channel H.264 playback
• Selectable VBR recording settings with 5 options
• Timecode Input Support:
  • Time of Day
  • Timecode Value
  • SDI RP-188
  • LTC
    • Available using 1-channel of Analog Audio In
• Balanced XLR analog audio inputs, mic/line/48v switchable
• 2-channel embedded audio per video input
• Easy-to-use web UI, compatible with standard web browsers
• Network web UI based file downloads
• Front panel button controls with integrated HD resolution screen
• Stand-alone operation

Watch to learn more about the Ki Pro GOs recent feature additions including:

• 25Mbps Expansion
• 4:2:2 Support
• 10-bit Support
• Enhanced Super Out
• LTC on Analog Audio In
• Front Panel Audio VU meters
• Built in exFAT Drive Formatting
• Network File Downloads
• Gang Record Support

Watch to learn more about Ki Pro GO’s key features including Multi-Channel HD and SD capture to USB media, redundant recordings to a fifth USB port on the rear, elegant web interface for remote control and more.

The video and audio connections on the rear panel of the Ki Pro GO offers 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio in offers Mic, Line and Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel. Alternatively, you can use the second Analog Audio input as a LTC input. Four USB ports on the front provide easy to access recording media using off the shelf USB drives, with a fifth USB port on the rear. Flexible destination mapping allows any USB to record the primary and any USB for backup or pass on of a second copy. This allows for backup or pass on of a secondary copy of captured files to post-production, clients, or others on your team. You can also map a single source to multiple USBs for duplication needs. Four 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more. Redundant power supplies ensure that always up reliability is provided for your critical live event needs.

Ki Pro GO is capable of playing back .mp4  and .mov H.264 files created by common 3rd party applications. This capability has been tested against the latest versions of the following applications:

• DaVinci Resolve
• Apple Final Cut Pro
• Avid Media Composer
• Adobe Premiere Pro

 

Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to any four of the 5 USB ports on the Ki Pro GO. Time is always tight, especially for live events. Ki Pro GO's Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO's elegant UI.

Extend your recording capabilities through the use of external (NAS) storage. Simply connect your storage to the Ki Pro GO over a standard Gigabit Ethernet network and take advantage of all the features of networked storage. Use your NAS as your primary storage location or as secondary (backup) media – you can even record to NAS and local, USB-based storage simultaneously, giving you the perfect combination of shared storage and portability.

Ki Pro GOs elegant and intuitive UI makes NAS set up easy. Simply enter the IP address of the storage, any required user credentials, and the SMB dialect you wish to use, and you’re ready to record. Ki Pro GO simplifies set up even further by auto-detecting the SMB dialect of your NAS system and self-configuring to match. SMB credentials can also be stored in system presets and recalled at the push of a button for “on-the-fly” system reconfiguration.

In this workflow we can see the Ki Pro GO is receiving video from camera sources 1 through 4. The Ki Pro GO is recording locally to USB drives connected to the front USB3 inputs. The Ki Pro GO  is also connected via Gigabit ethernet to a Gigabit ethernet switch and a NAS for simultaneous recording. Editorial, Graphics and Digital Asset Management (DAM) workstations are also connected to the same network as the Ki Pro GO, with both having access to the NAS.

This workflow shows two Ki Pro GO units, with the first receiving video from camera sources 1 through 4 and the second receiving video from camera sources 5 through 8. Each Ki Pro GO is recording locally to USB drives connected to the front USB ports. Both Ki Pro GOs are connected via Gigabit ethernet to a Gigabit ethernet switch. A NAS connected to the same network is also the second recording destination for cameras 1 through 8.

This workflow shows the Ki Pro GO receiving video from camera sources 1 though 4. The Ki Pro GO is connected to multiple USB drives as well as a NAS via Gigabit ethernet allowing immense flexibility.

Pick your Quality. Deliver your Bit Rate. Ki Pro GO allows independent quality settings per channel for recording; with five recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream. Choose any one of five VBR Recording Settings allowing up to 25Mbps:

• Low: Suitable for talking heads, conference backups, security recording and more.
• Med-Low
• Medium: Ideal for higher detail and more complex content.
• Med-High
• High: Serves well for fast moving, highly detailed content like sports or live event scenarios like concerts.

Ki Pro GO records as a standard .MP4 file, providing convenience and compatibility with a huge range of software applications.

Ki Pro GO offers a large matrix of possibilities for redundant recording needs. Four USB ports on the front and a fifth USB port on the rear provide easy to access recording media using off the shelf USB drives. The Ki Pro GO offers the user flexibility in choosing any USB port for a channel’s primary and any USB port for a channel’s backup. The backup’s identical redundant recording allows for a true backup or pass on secondary copy of captured files to post-production, clients, or others on your team. In the case of a single input source, you can assign a single input to four primary recording channels and four backup channels in flexible combinations across the 5 USB ports, enabling 8 captures of the source to a total of 5 physical devices for duplication needs. The workflows below provide some examples of just some of the possibilities possible with Ki Pro GO's focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then.

Many workflows, as in some of the workflows shown above, require simultaneous recording across a range of Ki Pro products or multiple Ki Pro GOs. The Gang Recording feature means multiple units can be used in unison to produce recordings. This feature is available via the web UI when Ki Pro GO and other Ki Pro Ultra units have IP addresses configured under a common network and subnet mask and are connected via their LAN connections to an Ethernet switch or hub to a host computer. When used with an AJA Ki Pro Ultra 12G, this provides you with an ideal workflow for Proxy workflows, the ability to walk away simultaneously from a recording session with ProRes files captured from Ki Pro Ultra 12G for a high resolution edit and H.264 files from a Ki Pro GO for client handoff, streaming and more.

Multi-Channel recording with Ki Pro GO provides individual, discrete recordings for each input, ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the USB drive into your edit software of choice. Clip names for Ki Pro GO are laid out in a logical manner for easy data management and tuned for multi-channel editing. Ki Pro GO automatically appends channel and backup naming for easy data management:

• Primary recorded file number 144 from channel 1 would read: Clip_ch1_144.mp4
• Backup recorded file number 144 from channel 1 would read: Clip_ch1_144_bak.mp4

 

HD HDMI and/or SDI monitors can be fed from Ki Pro GO's SDI and HDMI monitoring ports to display up to four channels of video in a matrix at a time per display or alternatively you can choose to send a full screen single channel of your choice to either output, allowing both matrix viewing and close up detail inspection for a channel of your choice. This flexibility ensures multi-camera shoots can be monitored on a single monitor when desired, with no matrix converter or independent monitors required for the utmost in efficiency and convenience. Enhanced Super Out provides a timecode overlay, per chanel audio VU meters and media remaining percentages over SDI and HDMI Monitor outputs, putting what you need to know, where you need to see it.

Ki Pro GO features a beautiful high resolution large HD display with Video Monitor and Menu/Status Overlays for pristine monitoring of your material and serves as your interface to Ki Pro GO's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the HD LCD display. Just like a traditional tape deck, Ki Pro GO features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time. The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.

Ki Pro GO provides convenient recording to cost effective, off the shelf USB media with FAT file systems support for cross platform use when transferring files to workstations, servers and more. Ki Pro GO supports in-system formatting of media in standalone operation. Please refer to the for the most current guide to AJA approved USB media for use with Ki Pro GO.

• 4x USB 3.2 Gen 1 primary ports on the front of the unit
• 1x USB 3.2 Gen 1 port on the back of the unit
• All ports are also compatible with the following standards:
  • USB 2.0 (480 Mbps)
  • USB 3.0 (5 Gbps)*
  • USB 3.1 Gen 1 (5 Gbps)*

*Also referred to as SuperSpeed USB

• 5V 1A max current per slot
• FAT file systems:
  • FAT16
  • FAT32
  • exFAT

For the ultimate in professional Multi-Channel recording, combine your new Ki Pro GO with Ki Pro Ultra 12G and capture multiple streams, up to four per device, of Apple ProRes and H.264 in any combination that suits your needs, in only 2RU of rack space. Ki Pro GO and Ki Pro Ultra 12G offer half rack width and 2RU height for convenient pairings in fly packs, equipment racks, OB trucks, and facility environments.

Two Ki Pro GOs conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounting, from facilities to flypacks. $79 US MSRP

AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.

AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue,   will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.