ROSS Furio Floor-Mounted Camera System
Since its introduction in 2008, Furio has revolutionized not only studio robotics, but also the way broadcast news is produced. With the ability to produce silky smooth, sweeping on-air dolly shots, which can then be precisely repeated over and over again at the push of a button, Furio allows broadcasters to create more dynamic looks – while also delivering higher quality and repeatability, and lowering operating costs. Unlike jibs or other specialty camera systems, Furio has the capacity to support full-sized cameras and teleprompters, giving it the flexibility to deliver spectacular beauty shots, while also serving as the primary production camera.
As a modular system, Furio is available in a wide variety of configurations, with multiple platforms, lifts and heads to choose from. Select the towering 2.22m (7ft 3”) height and unbeatable range of the SE 3-stage lift, the more economical S2 2-stage lift, or a fixed column – or mount the head directly on the SE dolly. System can then be paired with either a VR100 or VR600 pan and tilt head, depending on payload requirements.

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Description
Virtuoso Performances
Delivers superior performance in multiple applications, combining speed and height with power and payload capacity, to provide the highest performing, most flexible and versatile rail-based camera system available. Designed with virtual and augmented reality in mind, Furio can be combined with other Ross systems to provide the security of a simple and dependable virtual solution from a single supplier.
Visual Impact
Creates distinctive shots with more fluid and dramatic visuals that make productions come to life, capturing and holding audience attention. Incorporates eye-catching aesthetics that provide a cutting-edge look to programs, not only behind camera, but also in front of it.
Easy Integration
Furio SE Dolly runs on a compact 36 cm (14”)-wide track, requiring less space than a manual camera and operator, making it ideally suited for small studios where space is at a premium. Communicates natively over IP, using a flexible and open API, that makes it a perfect fit for studio automation, whether in combination with Ross OverDrive, or other major third-party APC systems.
Powered By MotionDirector
Furio unleashes the full power of MotionDirector, combining the unequaled beauty of naturally smooth and synchronized key-frame moves, with the flexibility to make in-flight manual corrections from the joystick panel. Create even more unique signature shots by recording manual (joystick) movements overtop of keyframed moves.
Looking for a Remote Camera?
Furio Live is perfect for capturing all the action at live events!
Unmatched Performance
All Furio Studio systems have the payload capacity to support a teleprompter, allowing them to be much more than just a specialty camera. All Furios provide stable and accurate virtual tracking data, making Furio the perfect tool for Virtual and Augmented Reality.
Low Maintenance
Integrated diagnostics, fault tolerant circuits, and field replaceable electronics modules make Furio SE even easier to operate and maintain. Fewer exposed components, embedded linear rail technology, and advanced carbon fiber construction ensure long-term reliability and performance.
Safe & Sound
100% designed, manufactured, and installed by Ross Video. No third-party OEMs. Backed by Ross’ legendary global support with lifetime phone and email support – no contract needed. Remote and on-board E-stops combine with regenerative brakes to ensure the system is quickly and safely brought to a halt in case of emergency, while anti-tip features on wheel assemblies ensure the dolly cannot derail.
Models
Furio SE Dolly with VR100/VR600 Head
Furio SE Dolly & SE Lift with VR100/VR600 Head
Furio SE Dolly & S2 Lift with VR100/VR600 Head
Quick Comparison
Settings | ROSS Furio Floor-Mounted Camera System remove | JVC GY-HM170E Compact 4K camcorder remove | JVC GY-HC550E 4K handheld live streaming camcorder remove | JVC KY-PZ510WE Robotic 4K/50p PTZ IP production camera remove | JVC GY-HC500E 4K ENG hand-held camcorder remove | JVC KY-PZ510NBE Robotic 4K/50p PTZ IP production camera remove |
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Name | ROSS Furio Floor-Mounted Camera System remove | JVC GY-HM170E Compact 4K camcorder remove | JVC GY-HC550E 4K handheld live streaming camcorder remove | JVC KY-PZ510WE Robotic 4K/50p PTZ IP production camera remove | JVC GY-HC500E 4K ENG hand-held camcorder remove | JVC KY-PZ510NBE Robotic 4K/50p PTZ IP production camera remove |
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Description | Since its introduction in 2008, Furio has revolutionized not only studio robotics, but also the way broadcast news is produced. With the ability to produce silky smooth, sweeping on-air dolly shots, which can then be precisely repeated over and over again at the push of a button, Furio allows broadcasters to create more dynamic looks – while also delivering higher quality and repeatability, and lowering operating costs. Unlike jibs or other specialty camera systems, Furio has the capacity to support full-sized cameras and teleprompters, giving it the flexibility to deliver spectacular beauty shots, while also serving as the primary production camera. As a modular system, Furio is available in a wide variety of configurations, with multiple platforms, lifts and heads to choose from. Select the towering 2.22m (7ft 3”) height and unbeatable range of the SE 3-stage lift, the more economical S2 2-stage lift, or a fixed column – or mount the head directly on the SE dolly. System can then be paired with either a VR100 or VR600 pan and tilt head, depending on payload requirements. | The GY-HM170 is a full-featured compact 4K Ultra HD camcorder, with professional audio connectivity, capable of shooting 4:2:2 full HD at 50Mbps. Its small size allows you to shoot in venues that may be unfriendly to larger cameras. The GY-HM170’s integrated 12x optical zoom lens and 4K CMOS sensor deliver razor-sharp 4K Ultra HD recordings directly to SDHC/SDXC memory cards, and you can output live 4K via HDMI. | The GY-HC550 handheld 4K camcorder features class-leading streaming and IP connectivity, with 10-bit Apple ProRes 422 50/60p recording in both 4K and HD to SSD. It can also be upgraded to support NDI|HX, Ideal for ENG, production and sports, the camera provides IP connectivity from any location to anywhere in the world. | Robotic 4K/50p PTZ IP production camera with tracking and SRT (white)JVC’s robotic pan, tilt and zoom 4K video production camera, the KY-PZ510WE offers automatic tracking, SRT and supports POE for a true 'One Wire Solution'. Ideal for studio or field use, this PTZ model enables reliable remote IP production for education, corporate, live events and sport applications. | The GY-HC500 is a handheld 4K production camcorder that can be upgraded to support NDI|HX, ideal for ENG, production and sports, featuring a 1-inch sensor and live streaming. It offers uncompromised live and recorded image quality, with exceptional IP connectivity features. Shoot 4K Ultra HD with HDR and record to SSD media in a wide variety of formats, including 10-bit ProRes 422 at 4K resolution and 50/60p frame rates. | JVC’s robotic pan, tilt and zoom 4K video production camera, the KY-PZ510NBE offers automatic tracking NDI®|HX, SRT and supports POE for a true 'One Wire Solution'. Ideal for studio or field use, this PTZ model enables reliable remote IP production for education, corporate, live events and sport applications. |
Content | Virtuoso PerformancesDelivers superior performance in multiple applications, combining speed and height with power and payload capacity, to provide the highest performing, most flexible and versatile rail-based camera system available. Designed with virtual and augmented reality in mind, Furio can be combined with other Ross systems to provide the security of a simple and dependable virtual solution from a single supplier.Visual ImpactCreates distinctive shots with more fluid and dramatic visuals that make productions come to life, capturing and holding audience attention. Incorporates eye-catching aesthetics that provide a cutting-edge look to programs, not only behind camera, but also in front of it.Easy IntegrationFurio SE Dolly runs on a compact 36 cm (14”)-wide track, requiring less space than a manual camera and operator, making it ideally suited for small studios where space is at a premium. Communicates natively over IP, using a flexible and open API, that makes it a perfect fit for studio automation, whether in combination with Ross OverDrive, or other major third-party APC systems.Powered By MotionDirectorFurio unleashes the full power of MotionDirector, combining the unequaled beauty of naturally smooth and synchronized key-frame moves, with the flexibility to make in-flight manual corrections from the joystick panel. Create even more unique signature shots by recording manual (joystick) movements overtop of keyframed moves.Looking for a Remote Camera?Furio Live is perfect for capturing all the action at live events!Unmatched PerformanceAll Furio Studio systems have the payload capacity to support a teleprompter, allowing them to be much more than just a specialty camera. All Furios provide stable and accurate virtual tracking data, making Furio the perfect tool for Virtual and Augmented Reality.Low MaintenanceIntegrated diagnostics, fault tolerant circuits, and field replaceable electronics modules make Furio SE even easier to operate and maintain. Fewer exposed components, embedded linear rail technology, and advanced carbon fiber construction ensure long-term reliability and performance.Safe & Sound100% designed, manufactured, and installed by Ross Video. No third-party OEMs. Backed by Ross’ legendary global support with lifetime phone and email support – no contract needed. Remote and on-board E-stops combine with regenerative brakes to ensure the system is quickly and safely brought to a halt in case of emergency, while anti-tip features on wheel assemblies ensure the dolly cannot derail. | 1/2.3-inch 12.4M CMOS sensor
This camcorder was built to deliver stunning, life-like 4K Ultra HD (3840x2160) video. JVC’s 4K CMOS sensor with 12.4M pixels delivers high sensitivity and excellent performance over a wide range of lighting conditions. Details are crisp and accurate throughout the entire image plane.
Full HD 4:2:2 recording at 50Mbps
The ability to record H.264 4:2:2 24-60p at 50Mbps makes this an ideal camera for broadcasting and production houses alike. The colour accuracy of 4:2:2 enables the camera to deliver exceptional colour resolution even when images are in sharp contrast to the background. This is particularly useful when strong colours are in contrast to bright backgrounds, or in green screen usage.
Detachable handle unit with professional XLR audio
The detachable heavy-duty handle makes the camcorder easy to carry and also makes it simple to shoot from low angles, thanks to its built-in REC button with lock function, and zoom lever. XLR audio inputs are provided for the attachment of a professional microphone or for LINE input, complete with Phantom power supply capability.
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