Roland V-600UHD 4K HDR Multi-format Video Switcher

Upgrade your events to 4K HDR — one input at a time

As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions.

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Description

4K Without Compromise

Upgrading to 4K greatly improves the image quality in your productions, so why compromise with switchers that may deliver more pixels but omit the true capabilities of 4K?

High Dynamic Range [HDR]

The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.

Full 60Hz Frame Rate

With full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.

A More Vivid Color Space

The V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.

10-bit 4:4:4 Pixel-accurate Color

Internal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.

The Right I/O for Your Show

The V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.

Capture All the Action with a Single 4K Camera

You don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.

No Camera Operators Required

“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland’s multi-shot Region Of Interest. When paired with Canon’s XF705/400/405 cameras, two of the V-600UHD’s Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable.

Get Creative with Composition

The V-600UHD supports two Picture-in-Picture windows (PnP) that offer so much more than simple fixed inset windows. You can accomplish results comparable to dedicated screen processors, with fully customizable aspect ratios, sizes and input source scaling — letting you display whatever you want, wherever you want it. Combine flexible PnP with the ultra-wide pixel count of DCI 4K to create engaging and impressive screen sets.

Integrate with the Audio System

Embedded audio from digital video signals can be tricky to incorporate into audio systems at an event or performance. Superior audio management lies at the heart of the V-600UHD, with flexible 24-bit 48kHz audio processing that lets you avoid problems before they occur. You can de-embed audio from the currently selected source and send to an external sound mixer using Audio Follows Video. Or program audio returning from the same console can also be embedded in one or all video outputs and then sent to the web, a recorder or overflow room.

Multiple PTZ & Remote Camera Control

When LAN based, PTZ cameras are called into action, take control using the V-600UHD. Seamlessly integrate JVC, Panasonic, Sony, PTZ Optics, Avonic, and VISCA compatible professional pan-tilt-zoom (PTZ) robotic cameras to streamline workflow without needing a dedicated controller.

The Best Solution for Working with LED Displays

LED display technology has quickly become a versatile creative tool for event designers, whether serving as the background for a stage or a huge backdrop at a music festival. The challenge is that when using IMAG cameras with a bright LED background and an SDR switcher, it’s difficult to light a presenter or performer when standing in front of the LED — they just appear as a shadowy outline. But now you can easily work with low light stages and bright backgrounds; just use an HDR camera with the V-600UHD and the subject appears properly lit.

Corporate events and festivals use pixel widths that exceed the HD format’s 1920 pixels. With the V-600UHD’s support for DCI Cinema 4K Resolution, you can switch content to display images up to 4096 pixels wide, fulfilling the creative vision of ambitious event designers. The V-600UHD offers incredibly high-quality “dot-by-dot” output scaling that allows you to directly connect to an LED display controller at the exact pixel dimensions, without the extra expense and increased latency of a dedicated scaling processor.

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VIDEO
Video Processing
4:4:4 (Y/Pb/Pr), 10-bit
Input Connectors
HDMI IN 1--4 connectors: HDMI type A (HDMI 2.0) SDI IN 5--6 connectors: BNC type (12G/3G/HD-SDI, Conforms to SMPTE 2082, 424M (Level-A, Level-B), 292M) RGB IN 1 connector: HD DB-15 type (Analog RGB, Select HDMI IN 1 or RGB IN 1 using menu)
Output Connectors
SDI OUTPUT connector: BNC type (12G/3G-SDI, Conforms to SMPTE 2082, 424M (Level-A, Level-B)) HDMI OUT 1--3 connectors: HDMI type A (HDMI 2.0) MULTI-VIEW connector: HDMI type A (HDMI 1.4)
Input Formats
HDMI (Video, CEA-861-F): 720/50p, 720/59.94p HDMI (Video, CEA-861-F): 1080/50i, 1080/59.94i HDMI (Video, CEA-861-F): 1080/50p, 1080/59.94p HDMI (Video, CEA-861-F): 2160/50p (UHD 4K), 2160/59.94p (UHD 4K) HDMI (Video, CEA-861-F): 2160/50p (DCI 4K), 2160/59.94p (DCI 4K) HDMI (PC, VESA DMT): 1024 x 768/60Hz (XGA) HDMI (PC, VESA CVT): 1280 x 768/60Hz (WXGA) HDMI (PC, VESA DMT): 1280 x 1024/60Hz (SXGA) HDMI (PC, VESA CVT): 1400 x 1050/60Hz (SXGA+) HDMI (PC, VESA DMT): 1600 x 1200/60 Hz (UXGA) HDMI (PC, CEA-861-F): 1920 x 1080/30 Hz (FHD), 1920 x 1080/60 Hz (FHD) HDMI (PC, VESA CVT): 1920 x 1200/60 Hz (WUXGA, Reduced blanking) HDMI (PC, CEA-861-F): 3840 x 2160/24 Hz (UHD 4K), 3840 x 2160/30 Hz (UHD 4K), 3840 x -2160/60 Hz (UHD 4K) HDMI (PC, CEA-861-F): 4096 x 2160/24 Hz (DCI 4K), 4096 x 2160/30 Hz (DCI 4K), 4096 x -2160/60 Hz (DCI 4K)RGB (PC, VESA DMT): 1600 x 1200/60Hz (UXGA) RGB (PC, CEA-861-F): 1920 x 1080/60Hz (FHD)SDI (Video, SMPTE ST274): 1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p SDI (Video, SMPTE ST2036): 2160/59.94p (UHD 4K), 2160/50p (UHD 4K) SDI (Video, SMPTE ST2048): 2160/59.94p (DCI 4K), 2160/50p (DCI 4K)Still Image: Windows Bitmap File (.bmp), Maximum 4096 x 2160 pixels, 24-bit per pixel, uncompressed Still Image: PNG File (.png), Maximum 4096 x 2160 pixels (*1) *1 Alpha channel of PNG file is not loaded.
Output Formats
HDMI (Video, CEA-861-F): 1080/50p, 1080/59.94p HDMI (Video, CEA-861-F): 2160/50p (UHD 4K), 2160/59.94p (UHD 4K) HDMI (Video, CEA-861-F): 2160/50p (DCI 4K), 2160/59.94p (DCI 4K) HDMI (PC, CEA-861-F): 1920 x 1080/30Hz (FHD) (*2), 1920 x 1080/60Hz (FHD) HDMI (PC, CEA-861-F): 3840 x 2160/30Hz (UHD 4K), 3840 x 2160/60Hz (UHD 4K) HDMI (PC, CEA-861-F): 4096 x 2160/30Hz (DCI 4K), 4096 x 2160/60Hz (DCI 4K) *2 Available when Down Convert of HDMI OUT 1-3 is set to "Enabled".SDI (Video, SMPTE ST274):1080/59.94p, 1080/50p SDI (Video, SMPTE ST2036):2160/59.94p (UHD 4K), 2160/50p (UHD 4K) SDI (Video, SMPTE ST2048):2160/59.94p (DCI 4K), 2160/50p (DCI 4K)* Conforms to VESA DMT, VESA CVT, CEA-861-F * Color Gamut: Rec.709, Rec.2020 * Dynamic Range: SDR, HDR PQ (HDR10), HDR HLG
Video Effects
Transition: Mix, Cut, Wipe (9 patterns) Composition: PinP, Key (*1), PinP + Key (*1) DSK: PinP, Key (*1), PinP + Key (*1) Others: Output Fade, Output Freeze, Output Capture *1 Luminance Key, Chroma Key
AUDIO
Audio Processing
24 bits/48 kHz
Audio formats
SDI IN/OUT: Linear PCM, 24 bits/48 kHz, 16 ch (Conforms to SMPTE 299M) HDMI IN/OUT: Linear PCM, 24 bits/48 kHz, 2 ch
Input Connectors
AUDIO IN L/R connectors: XLR-3-31 type (balanced)
Output Connectors
AUDIO OUT L/R connectors: XLR-3-32 type (balanced) PHONES jack: Stereo miniature phone type
Nominal Input Level
AUDIO IN L/R: +4 dBu (Maximum: +24 dBu)
Input Impedance
AUDIO IN L/R: 15 k ohms
Nominal Output Level
AUDIO OUT L/R: +4 dBu (Maximum: +24 dBu) PHONES: 92 mW + 92 mW (32 ohms)
Output Impedance
AUDIO OUT L/R: 600 ohms PHONES: 10 ohms
Audio Effects
Matrix mixer Delay (1 ms units, max 500 ms) Test tone output
OTHERS
Other Connectors
USB MEMORY port: USB A type (for USB flash drive) RS-232 connector: DB-9 type (Male) (for Remote Control) LAN port: RJ45 type, 100BASE-TX (for Remote Control) TALLY/GPI port: DB-25 type (Female) (Tally: 16, GPI: 8)* XLR type: 1 GND, 2 HOT, 3 COLD
Power Consumption
80 W
Operation Temperature
+0 to +40 degrees Celsius +32 to +104 degrees Fahrenheit
Dimensions
482 (W) x 300 (D) x 109 (H) mm 19 (W) x 11-13/16 (D) x 4-5/16 (H) inches * When rack mount angles are fitted.
Weight (excluding AC adaptor)
5.3 kg 11 lbs 11 oz * Including rack mount angles.
Accessories
Owner's Manual Power cord Rack-mount angle x 2* 0 dBu = 0.775 Vrms This product is a Class A digital device under FCC part 15.
All specifications and appearances are subject to change.

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SettingsRoland V-600UHD 4K HDR Multi-format Video Switcher removeBlackmagic ATEM Mini Extreme ISO removeBlackmagic ATEM 2 M/E Advanced Panel 20 removeBlackmagic ATEM SDI Extreme ISO removeBlackmagic ATEM Constellation 8K removeBlackmagic ATEM 1 M/E Production Studio 4K remove
NameRoland V-600UHD 4K HDR Multi-format Video Switcher removeBlackmagic ATEM Mini Extreme ISO removeBlackmagic ATEM 2 M/E Advanced Panel 20 removeBlackmagic ATEM SDI Extreme ISO removeBlackmagic ATEM Constellation 8K removeBlackmagic ATEM 1 M/E Production Studio 4K remove
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DescriptionUpgrade your events to 4K HDR — one input at a time As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions.Get the features of ATEM Mini Extreme plus 9 record streams for clean feeds of all inputs. A DaVinci project is saved for editing and relinking to Blackmagic RAW files for Ultra HD finishing.This larger model features 2 M/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.Powerful live switcher with 8 standards converted 3G-SDI inputs, built in hardware streaming engine, multiview, USB webcam, DVE, chroma key, media player and ISO recording of all 8 video inputs.Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.Advanced 1 M/E live production switcher with DVE, stingers and 6G-SDI so you can work in SD, HD and Ultra HD!
Content

4K Without Compromise

Upgrading to 4K greatly improves the image quality in your productions, so why compromise with switchers that may deliver more pixels but omit the true capabilities of 4K?

High Dynamic Range [HDR]

The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.

Full 60Hz Frame Rate

With full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.

A More Vivid Color Space

The V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.

10-bit 4:4:4 Pixel-accurate Color

Internal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.

The Right I/O for Your Show

The V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.

Capture All the Action with a Single 4K Camera

You don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.

No Camera Operators Required

“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland's multi-shot Region Of Interest. When paired with Canon's XF705/400/405 cameras, two of the V-600UHD's Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable.

Get Creative with Composition

The V-600UHD supports two Picture-in-Picture windows (PnP) that offer so much more than simple fixed inset windows. You can accomplish results comparable to dedicated screen processors, with fully customizable aspect ratios, sizes and input source scaling — letting you display whatever you want, wherever you want it. Combine flexible PnP with the ultra-wide pixel count of DCI 4K to create engaging and impressive screen sets.

Integrate with the Audio System

Embedded audio from digital video signals can be tricky to incorporate into audio systems at an event or performance. Superior audio management lies at the heart of the V-600UHD, with flexible 24-bit 48kHz audio processing that lets you avoid problems before they occur. You can de-embed audio from the currently selected source and send to an external sound mixer using Audio Follows Video. Or program audio returning from the same console can also be embedded in one or all video outputs and then sent to the web, a recorder or overflow room.

Multiple PTZ & Remote Camera Control

When LAN based, PTZ cameras are called into action, take control using the V-600UHD. Seamlessly integrate JVC, Panasonic, Sony, PTZ Optics, Avonic, and VISCA compatible professional pan-tilt-zoom (PTZ) robotic cameras to streamline workflow without needing a dedicated controller.

The Best Solution for Working with LED Displays

LED display technology has quickly become a versatile creative tool for event designers, whether serving as the background for a stage or a huge backdrop at a music festival. The challenge is that when using IMAG cameras with a bright LED background and an SDR switcher, it’s difficult to light a presenter or performer when standing in front of the LED — they just appear as a shadowy outline. But now you can easily work with low light stages and bright backgrounds; just use an HDR camera with the V-600UHD and the subject appears properly lit. Corporate events and festivals use pixel widths that exceed the HD format’s 1920 pixels. With the V-600UHD’s support for DCI Cinema 4K Resolution, you can switch content to display images up to 4096 pixels wide, fulfilling the creative vision of ambitious event designers. The V-600UHD offers incredibly high-quality “dot-by-dot” output scaling that allows you to directly connect to an LED display controller at the exact pixel dimensions, without the extra expense and increased latency of a dedicated scaling processor.
ATEM Mini Extreme ISO includes all the features of ATEM Mini Extreme, plus also records 9 separate H.264 video streams in real time, allowing capture of all 8 clean feed inputs as well as the program video. A DaVinci Resolve project file is also saved allowing the project to be recreated and edited later!The 2 M/E model features 2 M/E rows with 20 input buttons and 2 independent system control LCDs for each row. Plus each row can control up to 4 M/Es in larger switchers. Both rows and all input buttons include LCDs for custom labeling. Each row also includes an independent select bus!This model includes all the features of ATEM SDI Pro ISO model but has 8 SDI inputs and 4 SDI outputs. It can record 9 separate H.264 video streams in real time, allowing capture of all 8 clean feed inputs as well as the program video. A DaVinci Resolve project file is also saved.Ultra HD live production switcher with so many features, you can combine them all to make an incredibly powerful 8K switcher! This massive 4 M/E switcher features 40 12G-SDI inputs, 24 12G-SDI aux outputs, 4 DVEs, 16 ATEM Advanced Chroma Keyers, 4 media players, 4 independent Ultra HD multi viewers, 2 SuperSource processors and even standards conversion on all inputs! When switched to work in 8K, all of these features are be combined to make a powerful native 8K switcher! You even get built in talkback and a professional 156 channel Fairlight audio mixer with EQ and dynamics!The advanced ATEM 1 M/E Production Studio 4K model switches between SD, HD or Ultra HD video standards so you can connect a wide range of video sources such as cameras, disk recorders and computers. Featuring 10 inputs, chroma keys, transitions, media pool, 4 upstream keyers, downstream keyers, audio mixer, multi view, full motion DVE, stinger transitions, large media pool with full motion clips and 3 auxiliary outputs!
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