Roland V-600UHD 4K HDR Multi-format Video Switcher
Upgrade your events to 4K HDR — one input at a time
As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions.

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Description
4K Without Compromise
Upgrading to 4K greatly improves the image quality in your productions, so why compromise with switchers that may deliver more pixels but omit the true capabilities of 4K?
High Dynamic Range [HDR]
The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.
Full 60Hz Frame Rate
With full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.
A More Vivid Color Space
The V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.
10-bit 4:4:4 Pixel-accurate Color
Internal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.
The Right I/O for Your Show
The V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.
Capture All the Action with a Single 4K Camera
You don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.
No Camera Operators Required
“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland’s multi-shot Region Of Interest. When paired with Canon’s XF705/400/405 cameras, two of the V-600UHD’s Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable.
Get Creative with Composition
The V-600UHD supports two Picture-in-Picture windows (PnP) that offer so much more than simple fixed inset windows. You can accomplish results comparable to dedicated screen processors, with fully customizable aspect ratios, sizes and input source scaling — letting you display whatever you want, wherever you want it. Combine flexible PnP with the ultra-wide pixel count of DCI 4K to create engaging and impressive screen sets.
Integrate with the Audio System
Embedded audio from digital video signals can be tricky to incorporate into audio systems at an event or performance. Superior audio management lies at the heart of the V-600UHD, with flexible 24-bit 48kHz audio processing that lets you avoid problems before they occur. You can de-embed audio from the currently selected source and send to an external sound mixer using Audio Follows Video. Or program audio returning from the same console can also be embedded in one or all video outputs and then sent to the web, a recorder or overflow room.
Multiple PTZ & Remote Camera Control
When LAN based, PTZ cameras are called into action, take control using the V-600UHD. Seamlessly integrate JVC, Panasonic, Sony, PTZ Optics, Avonic, and VISCA compatible professional pan-tilt-zoom (PTZ) robotic cameras to streamline workflow without needing a dedicated controller.
The Best Solution for Working with LED Displays
LED display technology has quickly become a versatile creative tool for event designers, whether serving as the background for a stage or a huge backdrop at a music festival. The challenge is that when using IMAG cameras with a bright LED background and an SDR switcher, it’s difficult to light a presenter or performer when standing in front of the LED — they just appear as a shadowy outline. But now you can easily work with low light stages and bright backgrounds; just use an HDR camera with the V-600UHD and the subject appears properly lit.
Corporate events and festivals use pixel widths that exceed the HD format’s 1920 pixels. With the V-600UHD’s support for DCI Cinema 4K Resolution, you can switch content to display images up to 4096 pixels wide, fulfilling the creative vision of ambitious event designers. The V-600UHD offers incredibly high-quality “dot-by-dot” output scaling that allows you to directly connect to an LED display controller at the exact pixel dimensions, without the extra expense and increased latency of a dedicated scaling processor.
- VIDEO
- Video Processing
- 4:4:4 (Y/Pb/Pr), 10-bit
- Input Connectors
- HDMI IN 1--4 connectors: HDMI type A (HDMI 2.0) SDI IN 5--6 connectors: BNC type (12G/3G/HD-SDI, Conforms to SMPTE 2082, 424M (Level-A, Level-B), 292M) RGB IN 1 connector: HD DB-15 type (Analog RGB, Select HDMI IN 1 or RGB IN 1 using menu)
- Output Connectors
- SDI OUTPUT connector: BNC type (12G/3G-SDI, Conforms to SMPTE 2082, 424M (Level-A, Level-B)) HDMI OUT 1--3 connectors: HDMI type A (HDMI 2.0) MULTI-VIEW connector: HDMI type A (HDMI 1.4)
- Input Formats
- HDMI (Video, CEA-861-F): 720/50p, 720/59.94p HDMI (Video, CEA-861-F): 1080/50i, 1080/59.94i HDMI (Video, CEA-861-F): 1080/50p, 1080/59.94p HDMI (Video, CEA-861-F): 2160/50p (UHD 4K), 2160/59.94p (UHD 4K) HDMI (Video, CEA-861-F): 2160/50p (DCI 4K), 2160/59.94p (DCI 4K) HDMI (PC, VESA DMT): 1024 x 768/60Hz (XGA) HDMI (PC, VESA CVT): 1280 x 768/60Hz (WXGA) HDMI (PC, VESA DMT): 1280 x 1024/60Hz (SXGA) HDMI (PC, VESA CVT): 1400 x 1050/60Hz (SXGA+) HDMI (PC, VESA DMT): 1600 x 1200/60 Hz (UXGA) HDMI (PC, CEA-861-F): 1920 x 1080/30 Hz (FHD), 1920 x 1080/60 Hz (FHD) HDMI (PC, VESA CVT): 1920 x 1200/60 Hz (WUXGA, Reduced blanking) HDMI (PC, CEA-861-F): 3840 x 2160/24 Hz (UHD 4K), 3840 x 2160/30 Hz (UHD 4K), 3840 x -2160/60 Hz (UHD 4K) HDMI (PC, CEA-861-F): 4096 x 2160/24 Hz (DCI 4K), 4096 x 2160/30 Hz (DCI 4K), 4096 x -2160/60 Hz (DCI 4K)RGB (PC, VESA DMT): 1600 x 1200/60Hz (UXGA) RGB (PC, CEA-861-F): 1920 x 1080/60Hz (FHD)SDI (Video, SMPTE ST274): 1080/59.94i, 1080/50i, 1080/59.94p, 1080/50p SDI (Video, SMPTE ST2036): 2160/59.94p (UHD 4K), 2160/50p (UHD 4K) SDI (Video, SMPTE ST2048): 2160/59.94p (DCI 4K), 2160/50p (DCI 4K)Still Image: Windows Bitmap File (.bmp), Maximum 4096 x 2160 pixels, 24-bit per pixel, uncompressed Still Image: PNG File (.png), Maximum 4096 x 2160 pixels (*1) *1 Alpha channel of PNG file is not loaded.
- Output Formats
- HDMI (Video, CEA-861-F): 1080/50p, 1080/59.94p HDMI (Video, CEA-861-F): 2160/50p (UHD 4K), 2160/59.94p (UHD 4K) HDMI (Video, CEA-861-F): 2160/50p (DCI 4K), 2160/59.94p (DCI 4K) HDMI (PC, CEA-861-F): 1920 x 1080/30Hz (FHD) (*2), 1920 x 1080/60Hz (FHD) HDMI (PC, CEA-861-F): 3840 x 2160/30Hz (UHD 4K), 3840 x 2160/60Hz (UHD 4K) HDMI (PC, CEA-861-F): 4096 x 2160/30Hz (DCI 4K), 4096 x 2160/60Hz (DCI 4K) *2 Available when Down Convert of HDMI OUT 1-3 is set to "Enabled".SDI (Video, SMPTE ST274):1080/59.94p, 1080/50p SDI (Video, SMPTE ST2036):2160/59.94p (UHD 4K), 2160/50p (UHD 4K) SDI (Video, SMPTE ST2048):2160/59.94p (DCI 4K), 2160/50p (DCI 4K)* Conforms to VESA DMT, VESA CVT, CEA-861-F * Color Gamut: Rec.709, Rec.2020 * Dynamic Range: SDR, HDR PQ (HDR10), HDR HLG
- Video Effects
- Transition: Mix, Cut, Wipe (9 patterns) Composition: PinP, Key (*1), PinP + Key (*1) DSK: PinP, Key (*1), PinP + Key (*1) Others: Output Fade, Output Freeze, Output Capture *1 Luminance Key, Chroma Key
- AUDIO
- Audio Processing
- 24 bits/48 kHz
- Audio formats
- SDI IN/OUT: Linear PCM, 24 bits/48 kHz, 16 ch (Conforms to SMPTE 299M) HDMI IN/OUT: Linear PCM, 24 bits/48 kHz, 2 ch
- Input Connectors
- AUDIO IN L/R connectors: XLR-3-31 type (balanced)
- Output Connectors
- AUDIO OUT L/R connectors: XLR-3-32 type (balanced) PHONES jack: Stereo miniature phone type
- Nominal Input Level
- AUDIO IN L/R: +4 dBu (Maximum: +24 dBu)
- Input Impedance
- AUDIO IN L/R: 15 k ohms
- Nominal Output Level
- AUDIO OUT L/R: +4 dBu (Maximum: +24 dBu) PHONES: 92 mW + 92 mW (32 ohms)
- Output Impedance
- AUDIO OUT L/R: 600 ohms PHONES: 10 ohms
- Audio Effects
- Matrix mixer Delay (1 ms units, max 500 ms) Test tone output
- OTHERS
- Other Connectors
- USB MEMORY port: USB A type (for USB flash drive) RS-232 connector: DB-9 type (Male) (for Remote Control) LAN port: RJ45 type, 100BASE-TX (for Remote Control) TALLY/GPI port: DB-25 type (Female) (Tally: 16, GPI: 8)* XLR type: 1 GND, 2 HOT, 3 COLD
- Power Consumption
- 80 W
- Operation Temperature
- +0 to +40 degrees Celsius +32 to +104 degrees Fahrenheit
- Dimensions
- 482 (W) x 300 (D) x 109 (H) mm 19 (W) x 11-13/16 (D) x 4-5/16 (H) inches * When rack mount angles are fitted.
- Weight (excluding AC adaptor)
- 5.3 kg 11 lbs 11 oz * Including rack mount angles.
- Accessories
- Owner's Manual Power cord Rack-mount angle x 2* 0 dBu = 0.775 Vrms * This product is a Class A digital device under FCC part 15.
- All specifications and appearances are subject to change.
Quick Comparison
Settings | Roland V-600UHD 4K HDR Multi-format Video Switcher remove | Blackmagic GPI and Tally Interface remove | Blackmagic ATEM SDI remove | Blackmagic ATEM Constellation 8K remove | ROSS Ultrix Acuity Ultra HD Production Switcher remove | Blackmagic ATEM 2 M/E Production Studio 4K remove | |||||||||
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Name | Roland V-600UHD 4K HDR Multi-format Video Switcher remove | Blackmagic GPI and Tally Interface remove | Blackmagic ATEM SDI remove | Blackmagic ATEM Constellation 8K remove | ROSS Ultrix Acuity Ultra HD Production Switcher remove | Blackmagic ATEM 2 M/E Production Studio 4K remove | |||||||||
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Description | Upgrade your events to 4K HDR — one input at a time As clients and audiences start demanding 4K at events, your current HD sources and displays shouldn’t become obsolete—and the V-600UHD lets you transition to 4K workflows as demand and budgets allow. With Roland’s Ultra Scaler technology, scaling is provided on every input, so you can use Full HD and 4K sources simultaneously, and output at multiple resolutions. You can also leverage the high pixel density of 4K camera sources in Full HD workflows for problem-free, visually-impressive productions. | Affordable live switcher with 4 standards converted 3G-SDI inputs, USB webcam out, audio mixer with EQ and dynamics, 2D DVE, transitions, green screen chroma key, 20 stills for titles and much more! | Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. | The proven hyperconverged platform | World’s most advanced live production switcher with 20 6G-SDI inputs, DVE, SuperSource and much more! | ||||||||||
Content | 4K Without CompromiseUpgrading to 4K greatly improves the image quality in your productions, so why compromise with switchers that may deliver more pixels but omit the true capabilities of 4K?High Dynamic Range [HDR]The V-600UHD uses High Dynamic Range [HDR] so your events look amazing. You don’t just see more pixels, you see better, more dynamic-looking pixels that preserve the details in the darkest and brightest areas of an image. HDR provides well-balanced stage lighting without oversaturation for IMAG (and it’s easier to achieve compared with using SDR.) And SDR dynamic range signals can also be input and switched with the V-600UHD.Full 60Hz Frame RateWith full 60Hz framerate support, the V-600UHD delivers a smooth, crisp video image without the blur that’s common when fast motion is displayed at 30Hz refresh rates.A More Vivid Color SpaceThe V-600UHD supports Rec.2020, the highest-specification Wide Color Gamut (WCG), as well as RGB and Rec.709 standards to display the widest range of visible colors. This provides an increased level of realism and improved color accuracy, especially for red and yellow color ranges.10-bit 4:4:4 Pixel-accurate ColorInternal 10-bit Color Depth processing reduces color banding and sharpens high-detail sources from computers. This makes it easier to read small fonts and other fine details, even when drastically scaled and magnified.The Right I/O for Your ShowThe V-600UHD has four HDMI 2.0 and two 12G SDI inputs, perfect for events needing several computer and video playback sources complete with IMAG camera support. Each input independently supports input and scaling of HD, Full HD, UHD 4K, and DCI 4K, as well as PC resolutions from UXGA to DCI 4K — with no converters needed. AUX destination switching makes it easy to include down-stage confidence monitors, while the configurable multi-view monitor lets you see all your sources, programs and previews — at a glance. Each output also supports downscaling to Full HD for outputting to streaming encoders or other HD-equipped destination displays.Capture All the Action with a Single 4K CameraYou don’t need multiple cameras for multiple shots. If your production requires a wide shot of the stage, a medium shot of the speaking panel, and close-ups of each speaker, the V-600UHD has you covered with built-in Region of Interest [ROI]. This allows you to point a single 4K camera at the stage and use the V-600UHD’s input sharing and scaling functions to crop out up to eight “camera shots” that you can assign to the V-600UHD’s cross points. Increase your production value without increasing your camera count, complexity or costs.No Camera Operators Required“Automatic ROI” is a technology-assisted 4K to HD camera workflow blending facial tracking technology with Roland's multi-shot Region Of Interest. When paired with Canon's XF705/400/405 cameras, two of the V-600UHD's Region Of Interest windows automatically pan, tilt, and zoom to follow two people within the scene, generating dynamically smooth camera shots, no camera operators required. Setup is straightforward, requiring one HDMI cable and one LAN cable.Get Creative with CompositionThe V-600UHD supports two Picture-in-Picture windows (PnP) that offer so much more than simple fixed inset windows. You can accomplish results comparable to dedicated screen processors, with fully customizable aspect ratios, sizes and input source scaling — letting you display whatever you want, wherever you want it. Combine flexible PnP with the ultra-wide pixel count of DCI 4K to create engaging and impressive screen sets.Integrate with the Audio SystemEmbedded audio from digital video signals can be tricky to incorporate into audio systems at an event or performance. Superior audio management lies at the heart of the V-600UHD, with flexible 24-bit 48kHz audio processing that lets you avoid problems before they occur. You can de-embed audio from the currently selected source and send to an external sound mixer using Audio Follows Video. Or program audio returning from the same console can also be embedded in one or all video outputs and then sent to the web, a recorder or overflow room.Multiple PTZ & Remote Camera ControlWhen LAN based, PTZ cameras are called into action, take control using the V-600UHD. Seamlessly integrate JVC, Panasonic, Sony, PTZ Optics, Avonic, and VISCA compatible professional pan-tilt-zoom (PTZ) robotic cameras to streamline workflow without needing a dedicated controller.The Best Solution for Working with LED DisplaysLED display technology has quickly become a versatile creative tool for event designers, whether serving as the background for a stage or a huge backdrop at a music festival. The challenge is that when using IMAG cameras with a bright LED background and an SDR switcher, it’s difficult to light a presenter or performer when standing in front of the LED — they just appear as a shadowy outline. But now you can easily work with low light stages and bright backgrounds; just use an HDR camera with the V-600UHD and the subject appears properly lit. Corporate events and festivals use pixel widths that exceed the HD format’s 1920 pixels. With the V-600UHD’s support for DCI Cinema 4K Resolution, you can switch content to display images up to 4096 pixels wide, fulfilling the creative vision of ambitious event designers. The V-600UHD offers incredibly high-quality “dot-by-dot” output scaling that allows you to directly connect to an LED display controller at the exact pixel dimensions, without the extra expense and increased latency of a dedicated scaling processor. | Add tally to your ATEM switcher with Blackmagic Design's GPI and Tally Interface! With 8 contact closure tally outputs, you can send a tally signal to your cameras, replay machines and monitors so everyone knows which camera is 'on-air'! If you need more tally outputs, simply connect multiple GPI and Tally Interfaces together because it connects via Ethernet to your ATEM production switcher. | ATEM SDI is fast to set up and easy to use. It includes 4 standards converted SDI inputs, USB webcam, 2 SDI outputs, Fairlight audio mixer with EQ and dynamics, DVE for picture in picture, transition effects, green screen chroma key, 20 stills media pool for titles and free ATEM Software Control. | Ultra HD live production switcher with so many features, you can combine them all to make an incredibly powerful 8K switcher! This massive 4 M/E switcher features 40 12G-SDI inputs, 24 12G-SDI aux outputs, 4 DVEs, 16 ATEM Advanced Chroma Keyers, 4 media players, 4 independent Ultra HD multi viewers, 2 SuperSource processors and even standards conversion on all inputs! When switched to work in 8K, all of these features are be combined to make a powerful native 8K switcher! You even get built in talkback and a professional 156 channel Fairlight audio mixer with EQ and dynamics! | Now Smaller is Bigger. Way Bigger.
Imagine racks and racks of video and audio routing, frame syncs, MultiViewers, and audio processing gear. Now imagine all that in one small package. Enter Ultrix Acuity; a single solution that pairs Acuity, our flagship production switcher, with Ultrix, our flexible hybrid routing platform.
Combining our award–winning Ultrixᵀᴹ routing system with our Acuity® Software Defined Production Engine blades yields a complete, future-proof control room solution that is greater than the sum of its parts.
Size Matters
Integrating the expansive routing and audio processing capabilities of Ultrix along with the effects repertoire of Acuity into a single chassis makes Ultrix Acuity ideal for OB vans and other mobile applications. Add on redundant power and the result is a complete system that can outperform packages requiring multiple racks and complex cabling.
Mix and Match Fearlessly
The flexible architecture of Ultrix Acuity eliminates format and connectivity challenges, enabling you to transition from HD to UHD with a simple software license. You can mix SDI and IP sources in the same frame transparently to reduce complexity and cost. As needs and demands change, Ultrix Acuity easily keeps pace.
Future-Proof
Ross developed the concept of the Software-Defined Production Engine (SDPE) — providing base hardware that can grow with simple, cost-effective software licenses. By designing and engineering Ultrix Acuity using our SDPE platform, we ensure new functionality and enhanced features can be easily added, reducing the uncertainty of meeting future creative or technical requirements.
ROI↑ TCO↓
Fusing Ultrix and Acuity into a single compact package significantly decreases cooling, maintenance, and support costs, which vastly simplifies system design equipment installation, and maintenance. Combining the routing platform with the production switcher shrinks the number of inter-rack failure points and reduces maintenance requirements.
Radically Familiar
As game-changing as Ultrix Acuity is, operators might not notice. The system uses the same control surfaces they have become accustomed to, lowering the cost of training, and reducing the ramp-up time associated with new hardware. In fact, only those responsible for installing, configuring, and maintaining Ultrix Acuity will truly appreciate how revolutionary the product really is.
Peace of Mind Included
Ultrix Acuity’s robust hardware is designed and engineered for mission-critical applications. But when assistance is needed, you can call on our industry-leading technical support team 24/7, 365 days a year. We offer a range of options, so you tailor your support plan to the specific needs of your facility.
Ultrix AcuityNow available in Ultrix FR5 or Ultrix FR12 The compact Ultrix FR5 frame can provide up to four Acuity ME banks, but if a larger switcher or greater I/O density is required, the larger FR12 frame is now available.FeaturesIntegrated Production PlatformAcuity video switcher boards have been re-engineered to tightly integrate into the Ultrix router audio/video processing platform. This allows Acuity to access and feed Ultrix inputs and outputs and leverage Ultrix features such as Frame Syncs, MultiViewers, and audio processing.Extensive M/E ResourcesUltrix Acuity provides multiple powerful Mix/Effects Banks, each with six keyers, split M/E architecture and programmable transition and key assignment capability. What’s more, these same resources are available in HD or UHD.Multiple I/O OptionsSince Ultrix offers a wide range of I/O boards including SDI, IP, or user-defined SFP that can be used to populate the frame in any combination, Ultrix Acuity is not limited to a single input type.Device IntegrationWith a range of included or optional protocols available, Ultrix Acuity puts external device control at the operator’s fingertips. Custom Control macros can trigger graphics engines, audio mixers, playback servers, robotic cameras, and more, simply and efficiently.
and Control Panels, Ultritouch 2RU and 4RU monitoring stations, and RCP router control panels. The system will fit seamlessly into an OverDrive production automation system with or without control surfaces.
Field-UpgradableThe Software-Defined Production Engine at the heart of Ultrix Acuity is a versatile hardware platform designed for multiple applications. A software license is all that’s needed to convert the blade from an Acuity ME bank to a complete multi-ME Carbonite. And more features are in the works for the future.Control Panels
From fully manual to advanced automation workflows, there’s a perfect control surface for the task.
Frame Configuration Tool
Mix and Match to meet your unique requirements or leave slots empty for easy future upgrades. Use our online Frame Configuration tool to customize your own Ultrix Acuity and request a quote.
To begin, click the link below and select the 5RU or the 12RU Ultrix frame size.
Specifications
| The new ATEM 2 M/E Production Studio 4K lets you produce broadcast quality live multi camera production in SD, HD or amazing Ultra HD! Featuring 20 inputs with built in re-synchronizers so you can connect the widest range of video sources such as cameras, disk recorders and computers for incredible live music, sport and more! ATEM 2 M/E Production Studio 4K has advanced broadcast features such as chroma key, customizable transitions, upstream and downstream keyers, DVE, Super Source, audio mixer, 2 x multi views, media pool and more! You also get 6G-SDI and HDMI 4K connections and 6 auxiliary outputs for the most advanced live production switching! | |||||||||
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