MOG mREC Densu io – Video File Recorder
Compact dual-node video file appliance for recording workflows in FHD, IP Live, and NDI
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- Baseband ingest
- Multicamera recording
- Loop recording
- Crash recording
- Schedule recording
- Batch recording
- Full featured remote and local user interface
- mSWITCH - Remote live switching and composing
- mTALK - Audio communication between users
- Multi-configuration metadata management
- Flexible file naming engine
- Enable edit while ingest
- Artificial Engine
- Burnt-in options: text, timecode, overlays (images and videos) and LUT
- Video server for multiple destinations of any storage, NAS or SAN
|Settings||MOG mREC Densu io - Video File Recorder remove||Blackmagic HyperDeck Extreme 8K HDR remove||MOG mDECK Densu tl - Compact Deck Appliance remove||AJA Ki Pro GO Multi-Channel H.264 Recorder remove||Blackmagic HyperDeck Extreme 4K HDR remove||Blackmagic HyperDeck Extreme Control remove|
|Name||MOG mREC Densu io - Video File Recorder remove||Blackmagic HyperDeck Extreme 8K HDR remove||MOG mDECK Densu tl - Compact Deck Appliance remove||AJA Ki Pro GO Multi-Channel H.264 Recorder remove||Blackmagic HyperDeck Extreme 4K HDR remove||Blackmagic HyperDeck Extreme Control remove|
|Availability||In Stock||In Stock||In Stock||In Stock||In Stock||In Stock|
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|Description||Compact dual-node video file appliance for recording workflows in FHD, IP Live, and NDI||Advanced 8K model includes all the features of the 4K model, plus adds 8K recording and playback up to 4320p60 in H.265 and ProRes formats. Includes HDR touchscreen, scopes and quad link 12G-SDI.||Compact dual-node deck appliance for hybrid workflows in FHD, IP Live, and NDI with support for XDCAM and P2 structures||Multi-channel H.264 recording5x USB recording media ports, compatible with off-the-shelf USB 3.2 Gen 1 mediaIn system exFAT drive formatting Redundant recording to user selectable USB portsRecording to network (SMB) storageRedundant recording to user selectable destinations – USB or SMB Genlock-free inputs4x 3G-SDI inputs4x 3G-SDI outputs1x 3G-SDI monitoring output4x HDMI inputs1x HDMI monitoring outputHDMI and SDI multi-channel matrix monitoringHDMI and SDI Enhanced Super Out for monitoring: timecode, media status and audio levelsPlayback H.264 files externally created in DaVinci Resolve, Avid Media Composer, Apple Final Cut Pro, and Adobe Premiere ProSingle-channel H.264 playbackSelectable VBR recording settings with 5 options Timecode Input Support:Time of DayTimecode ValueSDI RP-188LTC Available using 1-channel of Analog Audio InBalanced XLR analog audio inputs, mic/line/48v switchable2-channel embedded audio per video inputEasy-to-use web UI, compatible with standard web browsersNetwork web UI based file downloads Front panel button controls with integrated HD resolution screenStand-alone operation||Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analog video.||HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.|
mREC Densu io is a powerful and flexible multi-format SDI/IP recording dual-node compact appliance. Optimize media creativity for enterprise, digital media, sports, and broadcast markets with a streamlined file-based capture system, with full support for recording FHD and HDR live video channels in different file formats. It supports simultaneous media operations that can be a combination of recording and previewing files. mREC Densu io has a redundant power supply with options for 6 or 12TB of storage.
|8K broadcast deck with the trusted reliability of HyperDeck combined with advanced H.265 recording, internal cache, 3D LUTs, native 8K and HDR support. Large touch screen to view your recording with dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status and audio meters and more!|
Boost your team’s performance with mDECK Densu tl, a professional dual-node media deck that can combine operations of record, ingest, transcode, and playback content in FHD, IP Live, and NDI from XDCAM and P2 structures directly to HDD or SSD removable drives. mDECK Densu tl supports combinations of media operations and guarantees a universe of distinct arrangements to suit the different activities of each day. Additionally, it comes with PSU redundancy, and an OS Drive.
Ki Pro GOExtended Features Video
Watch to learn more about the Ki Pro GOs recent feature additions including:
Introducing Ki Pro GO Video
Watch to learn more about Ki Pro GO’s key features including Multi-Channel HD and SD capture to USB media, redundant recordings to a fifth USB port on the rear, elegant web interface for remote control and more.
Industry Standard Connectivity
The video and audio connections on the rear panel of the Ki Pro GO offers 4x 3G-SDI and 4x HDMI inputs with separate SDI and HDMI monitoring which includes Matrix Monitoring for multi-channel viewing on a single HD display. XLR Analog Audio in offers Mic, Line and Phantom Power for audio recording from master sources, mixers and more. HDMI and SDI 2-channel embedded audio or the XLR analog inputs can be easily assigned to each recording channel. Alternatively, you can use the second Analog Audio input as a LTC input. Four USB ports on the front provide easy to access recording media using off the shelf USB drives, with a fifth USB port on the rear. Flexible destination mapping allows any USB to record the primary and any USB for backup or pass on of a second copy. This allows for backup or pass on of a secondary copy of captured files to post-production, clients, or others on your team. You can also map a single source to multiple USBs for duplication needs. Four 3G-SDI outputs ensure that signal pass through is available for connectivity into a wide range of devices from routers, to switchers, additional Ki Pros and more. Redundant power supplies ensure that always up reliability is provided for your critical live event needs.
Supports Playback of Externally Encoded Video
Ki Pro GO is capable of playing back .mp4 and .mov H.264 files created by common 3rd party applications. This capability has been tested against the latest versions of the following applications:
Genlock Free Recordingwith Easy Input Mapping
Record 1, 2, 3 or 4-channels of HD or SD up to 1080p 50/60 in H.264 simultaneously with Ki Pro GO. Simplify your setup by connecting up to four HDMI and four 3G-SDI source cables into Ki Pro GO and assign any combination of four inputs at a time for four channels of H.264 recording to any four of the 5 USB ports on the Ki Pro GO. Time is always tight, especially for live events. Ki Pro GO's Genlock free inputs make it is easy to switch your sources including SDI cameras, DSLRs, or HDMI cameras to the appropriate recording channel, all conveniently mapped within Ki Pro GO's elegant UI.
Extend your recording capabilities through the use of external (NAS) storage. Simply connect your storage to the Ki Pro GO over a standard Gigabit Ethernet network and take advantage of all the features of networked storage. Use your NAS as your primary storage location or as secondary (backup) media – you can even record to NAS and local, USB-based storage simultaneously, giving you the perfect combination of shared storage and portability.
Ki Pro GOs elegant and intuitive UI makes NAS set up easy. Simply enter the IP address of the storage, any required user credentials, and the SMB dialect you wish to use, and you’re ready to record. Ki Pro GO simplifies set up even further by auto-detecting the SMB dialect of your NAS system and self-configuring to match. SMB credentials can also be stored in system presets and recalled at the push of a button for “on-the-fly” system reconfiguration.
Local and NAS Recording
In this workflow we can see the Ki Pro GO is receiving video from camera sources 1 through 4. The Ki Pro GO is recording locally to USB drives connected to the front USB3 inputs. The Ki Pro GO is also connected via Gigabit ethernet to a Gigabit ethernet switch and a NAS for simultaneous recording. Editorial, Graphics and Digital Asset Management (DAM) workstations are also connected to the same network as the Ki Pro GO, with both having access to the NAS.
Multi-Unit Recording With a Single NAS
This workflow shows two Ki Pro GO units, with the first receiving video from camera sources 1 through 4 and the second receiving video from camera sources 5 through 8. Each Ki Pro GO is recording locally to USB drives connected to the front USB ports. Both Ki Pro GOs are connected via Gigabit ethernet to a Gigabit ethernet switch. A NAS connected to the same network is also the second recording destination for cameras 1 through 8.
Multiple, Simultaneous Recording Destinations
This workflow shows the Ki Pro GO receiving video from camera sources 1 though 4. The Ki Pro GO is connected to multiple USB drives as well as a NAS via Gigabit ethernet allowing immense flexibility.
Pick your Quality. Deliver your Bit Rate. Ki Pro GO allows independent quality settings per channel for recording; with five recording settings choices for any channel assignment depending upon your delivery need or eventual bandwidth allocation for the file's playback stream. Choose any one of five VBR Recording Settings allowing up to 25Mbps:
Ki Pro GO offers a large matrix of possibilities for redundant recording needs. Four USB ports on the front and a fifth USB port on the rear provide easy to access recording media using off the shelf USB drives. The Ki Pro GO offers the user flexibility in choosing any USB port for a channel’s primary and any USB port for a channel’s backup. The backup’s identical redundant recording allows for a true backup or pass on secondary copy of captured files to post-production, clients, or others on your team. In the case of a single input source, you can assign a single input to four primary recording channels and four backup channels in flexible combinations across the 5 USB ports, enabling 8 captures of the source to a total of 5 physical devices for duplication needs. The workflows below provide some examples of just some of the possibilities possible with Ki Pro GO's focus on a key concept of ‘pass out’ or ‘pass around’ or ‘handout’ media. Hit stop on your recordings and the show is ready to give to your clients right there and then.
Gang Recording Feature
Many workflows, as in some of the workflows shown above, require simultaneous recording across a range of Ki Pro products or multiple Ki Pro GOs. The Gang Recording feature means multiple units can be used in unison to produce recordings. This feature is available via the web UI when Ki Pro GO and other Ki Pro Ultra units have IP addresses configured under a common network and subnet mask and are connected via their LAN connections to an Ethernet switch or hub to a host computer. When used with an AJA Ki Pro Ultra 12G, this provides you with an ideal workflow for Proxy workflows, the ability to walk away simultaneously from a recording session with ProRes files captured from Ki Pro Ultra 12G for a high resolution edit and H.264 files from a Ki Pro GO for client handoff, streaming and more.
Multi-Channel Recording inPost-Production
Multi-Channel recording with Ki Pro GO provides individual, discrete recordings for each input, ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the USB drive into your edit software of choice. Clip names for Ki Pro GO are laid out in a logical manner for easy data management and tuned for multi-channel editing. Ki Pro GO automatically appends channel and backup naming for easy data management:
HD Multi-Channel Matrix Monitoring, Enhanced Super Out
HD HDMI and/or SDI monitors can be fed from Ki Pro GO's SDI and HDMI monitoring ports to display up to four channels of video in a matrix at a time per display or alternatively you can choose to send a full screen single channel of your choice to either output, allowing both matrix viewing and close up detail inspection for a channel of your choice. This flexibility ensures multi-camera shoots can be monitored on a single monitor when desired, with no matrix converter or independent monitors required for the utmost in efficiency and convenience. Enhanced Super Out provides a timecode overlay, per chanel audio VU meters and media remaining percentages over SDI and HDMI Monitor outputs, putting what you need to know, where you need to see it.
High Resolution LCD with Onscreen Intuitive UI
Ki Pro GO features a beautiful high resolution large HD display with Video Monitor and Menu/Status Overlays for pristine monitoring of your material and serves as your interface to Ki Pro GO's familiar and intuitive menu system. The detailed overlay UI includes onscreen keyboard functionality and a clear view of the powerful yet simple to operate UI, all pristinely presented on the HD LCD display. Just like a traditional tape deck, Ki Pro GO features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time. The current status of the system and key configuration information is clearly displayed on the beautiful built-in high resolution LCD screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.
Off the Shelf USB Media
Ki Pro GO provides convenient recording to cost effective, off the shelf USB media with FAT file systems support for cross platform use when transferring files to workstations, servers and more. Ki Pro GO supports in-system formatting of media in standalone operation. Please refer to the for the most current guide to AJA approved USB media for use with Ki Pro GO.
Use with Ki Pro Ultra 12G for Multi-Channel ProRes
For the ultimate in professional Multi-Channel recording, combine your new Ki Pro GO with Ki Pro Ultra 12G and capture multiple streams, up to four per device, of Apple ProRes and H.264 in any combination that suits your needs, in only 2RU of rack space. Ki Pro GO and Ki Pro Ultra 12G offer half rack width and 2RU height for convenient pairings in fly packs, equipment racks, OB trucks, and facility environments.
Two Ki Pro GOs conveniently fit side by side for easy 2RU rack mounting for workflows that can take advantage of rack mounting, from facilities to flypacks. $79 US MSRP
AJA DataCalc is a mobile OS application for iOS, iPadOS and Android, offering two modes for storage and time calculations based upon raster, frame rate and codec choices. DataCalc - Calculate your storage needs before capture. TimeCalc – Calculate the run time of materials you can capture by storage size. Share results with your team straight from the application.
Industry Leading Support
AJA’s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your Ki Pro installation, configuration, operation or encounter any technical issue, will work with you to get up and running. Ki Pro products are covered by a generous three year warranty. Please see the individual Product’s Manual for additional specifics around warranty conditions for the product itself.
|HyperDeck Extreme 4K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings.||HyperDeck Extreme Control adds traditional broadcast deck controls to HyperDeck Extreme 8K. It works like a traditional broadcast deck with a familiar layout. Control up to 8 decks via industry standard RS-422 control.|
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