Blackmagic URSA Broadcast G2
Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.

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Description
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
Camera Features
Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm)Lens Mount
B4 2/3 inch installed Active EF mount also includedLens Control
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.Lens Correction
In-camera correction of color fringing when using compatible broadcast lenses.Dynamic Range
13 StopsDual Native ISO
0dB and 18dB gain.Sensitivity at 0dB Gain
f11 with 2160p59.94. f12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.Signal to Noise Ratio
64.62dB for 2160p Ultra HD scaled from 5.3KBuilt in ND Filters
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.Focus
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.Iris Control
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.Screen Dimensions
4 inchScreen Type
LCD capacitive touchscreen.Controls
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.ProRes Shooting Resolutions and Frame Rates
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
H.265 Shooting Resolutions and Frame Rates
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
H.264 Shooting Resolutions and Frame Rates
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
Blackmagic RAW Shooting Resolutions and Frame Rates
6144 x 3456 (6K) up to 50 fps 6144 x 2560 (6K 2.4:1) up to 60 fps 5376 x 3024 (5.3K 16:9) up to 60 fps 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps 3840 x 2160 (Ultra HD) up to 60 fps 1920 x 1080 (HD) up to 150 fpsProject Frame Rates
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.Metadata Support
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.Timecode Clock
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.Connections
SDI Video Inputs
1SDI Video Outputs
1SDI Monitor Outputs
1SDI Rates
1.5G, 3G, 6G, 12G.Analog Audio Inputs
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.Analog Audio Outputs
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.Reference Inputs
Tri-Sync/Black Burst/Timecode.Lens Control
1 x 12-pin Hirose Broadcast Lens ConnectorRemote Control
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.Computer Interface
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.Audio
Microphone
Integrated stereo microphone.Built in Speaker
1 x mono speaker.Standards
SD Video Standards
NoneHD Video Standards
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60Ultra HD Video Standards
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60SDI Compliance
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10SDI Audio Sampling
48 kHz and 24 bitMedia
Media
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.Media Format
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).Supported Codecs
Codecs
Apple ProRes 422 HQ,Apple ProRes 422,H.265 SDI (10-bit 4:2:2),H.265 High (10-bit 4:2:0),H.265 Medium (10-bit 4:2:0),H.265 Low (10-bit 4:2:0),H.264 SDI (10-bit 4:2:2),H.264 High (8-bit 4:2:0),H.264 Medium (8-bit 4:2:0),H.264 Low (8-bit 4:2:0),Blackmagic RAW Constant Bitrate 3:1,Blackmagic RAW Constant Bitrate 5:1,Blackmagic RAW Constant Bitrate 8:1,Blackmagic RAW Constant Bitrate 12:1,Blackmagic RAW Constant Quality Q0,Blackmagic RAW Constant Quality Q1,Blackmagic RAW Constant Quality Q3,Blackmagic RAW Constant Quality Q5Control
External Control
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.Color Corrector
Color Corrector
DaVinci YRGB.Talkback and Tally
Talkback
SDI Channels 15/16 and iPhone headset.Live Tally Indicator
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.Storage Features
Storage Type
2 x CFast 2.0 2 x SD UHS‑II cards 1 x high speed USB‑C expansion port for external media. 2.5 inch SSD using optional URSA Mini RecorderStorage Rates
Storage rates based on 30 frames per second.6144 x 3456 (6K)
Blackmagic RAW 3:1 - 323 MB/s Blackmagic RAW 5:1 - 194 MB/s Blackmagic RAW 8:1 - 121 MB/s Blackmagic RAW 12:1 - 81 MB/s Blackmagic RAW Q0 - 242 to 483 MB/s Blackmagic RAW Q1 - 162 to 387 MB/s Blackmagic RAW Q3 - 108 to 277 MB/s Blackmagic RAW Q5 - 65 to 162 MB/s6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 - 240 MB/s Blackmagic RAW 5:1 - 144 MB/s Blackmagic RAW 8:1 - 90 MB/s Blackmagic RAW 12:1 - 60 MB/s Blackmagic RAW Q0 - 180 to 359 MB/s Blackmagic RAW Q1 - 120 to 287 MB/s Blackmagic RAW Q3 - 80 to 205 MB/s Blackmagic RAW Q5 - 49 to 120 MB/s5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 - 248 MB/s Blackmagic RAW 5:1 - 149 MB/s Blackmagic RAW 8:1 - 94 MB/s Blackmagic RAW 12:1 - 63 MB/s Blackmagic RAW Q0 - 186 to 371 MB/s Blackmagic RAW Q1 - 125 to 297 MB/s Blackmagic RAW Q3 - 84 to 213 MB/s Blackmagic RAW Q5 - 51 to 125 MB/s3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 - 177 MB/s Blackmagic RAW 5:1 - 106 MB/s Blackmagic RAW 8:1 - 67 MB/s Blackmagic RAW 12:1 - 45 MB/s Blackmagic RAW Q0 - 133 to 265 MB/s Blackmagic RAW Q1 - 89 to 212 MB/s Blackmagic RAW Q3 - 60 to 152 MB/s Blackmagic RAW Q5 - 36 to 89 MB/s3840 x 2160 (Ultra HD)
Apple ProRes 422 HQ - 110 MB/s Apple ProRes 422 - 73.6 MB/s H.265 SDI - 12.3 MB/s H.265 High - 10.8 MB/s H.265 Medium - 7.8 MB/s H.265 Low - 3.2 MB/s Blackmagic RAW 3:1 - 127 MB/s Blackmagic RAW 5:1 - 77 MB/s Blackmagic RAW 8:1 - 48 MB/s Blackmagic RAW 12:1 - 32 MB/s Blackmagic RAW Q0 - 96 to 190 MB/s Blackmagic RAW Q1 - 64 to 153 MB/s Blackmagic RAW Q3 - 43 to 109 MB/s Blackmagic RAW Q5 - 26 to 64 MB/s1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s H.264 SDI - 7.0 MB/s H.264 High - 5.6 MB/s H.264 Medium - 3.2 MB/s H.264 Low - 1.8 MB/s Blackmagic RAW 3:1 - 19 MB/s Blackmagic RAW 5:1 - 12 MB/s Blackmagic RAW 8:1 - 7.8 MB/s Blackmagic RAW 12:1 - 5.2 MB/s Blackmagic RAW Q0 - 23 to 47 MB/s Blackmagic RAW Q1 - 16 to 37 MB/s Blackmagic RAW Q3 - 10 to 27 MB/s Blackmagic RAW Q5 - 6 to 16 MB/sRecording Formats
Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Software
Software Included
Blackmagic OS DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK Blackmagic RAW Speed TestOperating Systems
Power Requirements
Power Supply
-->Power Supply
1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.External Power Input
1 x 4-pin XLR port for external mains power supply or battery use. 1 x 12-pin Molex connector under rear battery plate.Power Output
+12V 4-pin XLR regulated output on side of camera +12V D-Tap regulated output on VLock battery platePower
Rear camera mount compatible with industry standard V-mount or gold mount battery plates.Accessories
Optional Accessories
Blackmagic URSA Viewfinder Blackmagic URSA Studio Viewfinder Blackmagic Camera Fiber Converter Blackmagic Studio Fiber Converter Blackmagic URSA Mini Pro PL Mount Blackmagic URSA Mini Pro F Mount Blackmagic URSA Mini Mic Mount Blackmagic URSA Mini Recorder Blackmagic URSA Gold Battery PlatePhysical Specifications
Environmental Specifications
Operating Temperature
0° to 40°C (32° to 104°F)Storage Temperature
-20° to 45°C (-4° to 113°F)Relative Humidity
0% to 90% non-condensingWhat's Included
Warranty
Quick Comparison
Settings | Blackmagic URSA Broadcast G2 remove | JVC GY-HC900CHE Shoulder-mount/studio live streaming HD camcorder remove | JVC KY-PZ400NBE Robotic 4K PTZ IP production camera remove | JVC KY-PZ510WE Robotic 4K/50p PTZ IP production camera remove | JVC KY-PZ400NWE Robotic 4K IP production camera remove | JVC GY-HC550E 4K handheld live streaming camcorder remove |
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Name | Blackmagic URSA Broadcast G2 remove | JVC GY-HC900CHE Shoulder-mount/studio live streaming HD camcorder remove | JVC KY-PZ400NBE Robotic 4K PTZ IP production camera remove | JVC KY-PZ510WE Robotic 4K/50p PTZ IP production camera remove | JVC KY-PZ400NWE Robotic 4K IP production camera remove | JVC GY-HC550E 4K handheld live streaming camcorder remove |
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Description | Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. | The GY-HC900 is a unique and innovative broadcast camcorder that makes no compromises in image quality while offering a level of connectivity not found elsewhere. It features three 2/3-inch CMOS image sensors that deliver high sensitivity. It's equipped with a new powerful communications engine that truly makes News-over-IP a reality with a streamlined ENG workflow that's both reliable and cost effective. | Robotic 4K PTZ IP production camera with NDI|HX and SRT (black)JVC’s first robotic pan, tilt and zoom 4K video production camera, the KY-PZ400 offers NDI®|HX, SRT and supports POE for a true 'One Wire Solution'. Ideal for studio or field use, this PTZ model enables reliable remote IP production for education, corporate, live events and sport applications. | Robotic 4K/50p PTZ IP production camera with tracking and SRT (white)JVC’s robotic pan, tilt and zoom 4K video production camera, the KY-PZ510WE offers automatic tracking, SRT and supports POE for a true 'One Wire Solution'. Ideal for studio or field use, this PTZ model enables reliable remote IP production for education, corporate, live events and sport applications. | JVC’s first robotic pan, tilt and zoom 4K video production camera, the KY-PZ400 offers NDI®|HX, SRT and supports POE for a true 'One Wire Solution'. Ideal for studio or field use, this PTZ model enables reliable remote IP production for education, corporate, live events and sport applications. | The GY-HC550 handheld 4K camcorder features class-leading streaming and IP connectivity, with 10-bit Apple ProRes 422 50/60p recording in both 4K and HD to SSD. It can also be upgraded to support NDI|HX, Ideal for ENG, production and sports, the camera provides IP connectivity from any location to anywhere in the world. |
Content | The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible! | Advanced IP communication and live HD streaming
The camcorder features JVC's latest IP communications engine, giving you remote control and monitoring of vital camera and lens functions from a tablet, smartphone, or computer anywhere in the world. Live streaming is possible in HD or SD resolutions, depending on available bandwidth. Connect your camera to an optional Wi-Fi or 4G/LTE modem and share your programme with an audience anywhere in the world via content delivery networks such as YouTube, Facebook Live, and other cloud services.
Features
| KY-PZ400 Perfect for online educationFeatures
| Connected Cam 4K PTZ remote CameraFeatures
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